CHICAGO – The issue of gender identity, especially for those who are born with a vagueness as to what to call themselves between/beyond boy and girl, has come front and center in the U.S., both with the legalization of gay marriage and the callous repudiation of identity by trying to pass laws dismissing it (the North Carolina “bathroom” laws). The performance companies of The Living Canvas and Nothing Without a Company is currently staging “[Trans]formation,” which presents gender identity art by six performers, who perform most of the play in the nude.
CHICAGO – The comedy “Lottery Ticket,” recently released on Blu-ray and DVD, is so forgettable that it seems almost mean to pile on top of the negative reviews that greeted it in theaters. It’s not a horrible film, mostly because of the charms of its three leads, but there’s just not much nice to say about it either. It’s bearable and mildly-diverting, but with so many other great released on the market this month, don’t you want more than that faint praise?
CHICAGO – My general thoughts on “Fame” are best articulated by Joel Hodgson and his robot friends from “Mystery Science Theater 3000.” During their infamous commentary on “Mitchell,” Joel points to one of the young actors on the screen and says, “Hey it’s one of the kids from ‘Fame!’” “Which one?” asks his robotic companion. Joel’s response: “Any of ‘em.”