CHICAGO – For theater that is audaciously in-the-now and generates a sparkle of life, there are few better storefront (garage, gothic gathering place) groups than “Nothing Without a Company.” Their latest, eclectic kick-in-the-head production is the intensely diverting and weirdly fun “Punk Punk.”
CHICAGO – For a film adapted from “Mystic River” and “Gone Baby Gone” author Dennis Lehane, there are no children in danger in “The Drop,” but there is a pit bull puppy named Rocco. The dog’s involvement in the story, an animal who gets as many closeups this side of a Charles Martin Smith film, invites the uncharacteristically blunt metaphor of how creatures fight for power, or even just the impression of power.
CHICAGO – “Clint Eastwood: 20 Film Collection” is a great Father’s Day gift that’s nonetheless a bit difficult to describe. It’s not exactly a greatest hits collection of its legendary star since it’s missing some of his most iconic films and includes some of his most notable failures.
CHICAGO – Dennis Lehane remains one of our better fiction writers with some of his best-known material being turned into highly-acclaimed films including “Mystic River,” “Gone Baby Gone,” and “Shutter Island.” He returns to his two most beloved characters — Angie Gennaro and Patrick Kenzie — those played by Michelle Monaghan and Casey Affleck in the film version of “GBG” to craft a direct sequel to that novel, “Moonlight Mile,” a reminder of how efficient Lehane can be when it comes to breakneck thriller pacing but a bit of a letdown if it truly is the final book with these memorable detectives.
CHICAGO – I know what you’re thinking: What do “Fear and Loathing in Las Vegas” and “Mystic River” have in common? Nothing at all other than a Blu-ray release date of February 2nd, 2010. Oh, and they’re two films you should probably own if you have a Blu-ray player.
CHICAGO – With his second film in just a few months, Clint Eastwood makes one of his biggest missteps of his illustrious career as one of the more esteemed American directors in the history of the medium.
CHICAGO – Just as Tom Hanks put a face to AIDS in 1993’s “Philadelphia,” Sean Penn has now put a face to gay rights as Harvey Milk in the new Gus Van Sant true-story film “Milk”.