Something always felt a bit out of place for me in Martin Scorsese’s brilliant “The King of Comedy”, just released on Blu-ray for the first time. I couldn’t put my finger on it but chalked it up to it being thematically ahead of its time in its investigation of the cult of personality that defines modern entertainment.
CHICAGO – We’ve all had creative buyer’s remorse. You recommend a band to your friend and their new album sucks. You post about your love for a TV show and the next episode jumps the shark.
CHICAGO – The popular choice as to the show most likely to derail AMC’s “Mad Men” from winning a record-setting five Emmys in a row for Best Dramatic Series is a newcomer to the pantheon of most-acclaimed programs, Showtime’s brilliant “Homeland,” recently released on Blu-ray and DVD. This is must-see TV in every possible way.
CHICAGO – After two increasingly rocky seasons, ABC’s soulless reboot of Kenneth Johnson’s ’80s miniseries and subsequent TV show “V” was finally cancelled. It ended the sci-fi serial on a tragic cliffhanger that was very much in keeping with the show’s status as a muddled downer. Though some fans have signed petitions to get the show renewed on a different network, it’s doubtful that “V” will garner a large audience outside of Comic Con conventions.
CHICAGO – Very few programs of the last few years have been as instantly engaging as Showtime’s “Homeland.” Complex characters, daring storytelling, some of the best acting you’ll see on TV all year — this is a GREAT show from episode one and it’s remarkable to think that it could even get better.
CHICAGO – Here’s the sort of self-important primetime drama that tries so hard to be a bona fide event that it quickly grows irrelevant.
CHICAGO – Why do so many modern TV dramas fail? I suspect that part of the reason lies in the fact that a lot of these shows bend over backwards to be a major television event before they’ve earned that right. They cloak themselves in faux commentary merely so they can become mechanical fodder for water cooler discussion the morning after. That’s why the vast majority of new TV dramas might as well be called, “The Event.”
CHICAGO – On paper, “Stolen” probably looked like the kind of competent thriller that could get once-rising star Josh Lucas back into the spotlight and prove to producers that “Mad Men” star Jon Hamm could carry a motion picture. Sadly, lackluster direction of what is essentially no more interesting than an extended episode of “Cold Case” squanders the talent of both men, a pair of actors who deserve better showcases.
CHICAGO – Reboots of classic TV programs have been a tough sell lately as shows like “Bionic Woman” and “Knight Rider” have failed to connect with critics or audiences.