Looming over “Bad Words” is the potential it could have had, as is, were it released ten years ago. With its focus of R-rated behavior poking at the projected innocence of children, along with the couple of chromosomes that keep Bateman’s Trilby from being a Vince Vaughn character, this movie is certainly a product of the comedies that have sculpted out the manchild story in the past decade.
CHICAGO – It pains me to say this — HBO’s “Hemingway & Gellhorn” is a complete mess, a film littered with awful directorial decisions, built on a misguided screenplay, and featuring performances that range from mediocre to downright horrendous. I’m as big a cheerleader for HBO and their line of original films as you’re likely to find but this is one of the worst.
CHICAGO – If NBC’s “The Firm” was viewed as a court case, the jury would probably be deadlocked. The problem is that most modern TV viewers don’t try a case again. If they consider a premiere a creative mistrial — something with elements that work but not completely engaging enough to make it an instant addition to the Season Pass Manager — they usually don’t come back.