Looming over “Bad Words” is the potential it could have had, as is, were it released ten years ago. With its focus of R-rated behavior poking at the projected innocence of children, along with the couple of chromosomes that keep Bateman’s Trilby from being a Vince Vaughn character, this movie is certainly a product of the comedies that have sculpted out the manchild story in the past decade.
CHICAGO – Wouldn’t you think that the release of the last Best Picture winner from the Academy of Motion Picture Arts and Sciences would be an event? I know we’ve reached a point where public opinion and the Oscars are arguably further apart than ever before but wouldn’t think that Sony would treat their most-respected film critically with “Special Edition” degrees of Blu-ray features. The release of “The Artist” last week is a decent one but not what one would expect given the pedigree of the film.
CHICAGO – “The Artist” is the kind of film for which a critic feels an added responsibility. The fact is that I know that a large number of readers won’t go anywhere near a movie that is described as “a black & white ode to silent films.” Eek. Sounds like torture.
CHICAGO – When Tina Fey made the jump from “Saturday Night Live” to “30 Rock,” she was planning on taking her talented co-star and friend Rachel Dratch to the award-winning show. Before the season began, Dratch was replaced by Jane Krakowski and the rest is history.