CHICAGO – For theater that is audaciously in-the-now and generates a sparkle of life, there are few better storefront (garage, gothic gathering place) groups than “Nothing Without a Company.” Their latest, eclectic kick-in-the-head production is the intensely diverting and weirdly fun “Punk Punk.”
CHICAGO – When a film has gotten viewers so invested in a character’s plight that it prompts them to shout at the screen, it’s clear that they are in the hands of a master filmmaker. Consider the legendary stories from the initial theatrical run of Alfred Hitchcock’s “Psycho,” when audiences found themselves screaming at Vera Miles to not investigate the fruit cellar, where her imminent doom appeared to be waiting.
CHICAGO – Here’s a film that pulls off the tricky feat of moving quickly while taking its time. Like its rollerblading protagonist, “The Girl on the Train” is constantly on the move, hurtling headfirst into a series of interlocking relationships. Yet the director, André Téchiné, is less interested in his story’s destination than he is with the journey his characters take, and the various circumstances that lead them to make life-altering, often inexplicable choices.