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Mike Tyson

Film Review: ‘The Hangover Part II’ a Funny, Formulaic, Desperately Shocking Carbon Copy

CHICAGO – Business and creative people go together as well as fine wine at a burger joint. Riding on the heels of the monumentally profitable “The Hangover,” the brass win out over the artists in “The Hangover Part II”.

DVD Review: ‘Tyson’ is One of the Best Documentaries of 2009


CHICAGO – To a lot of people out there, the very concept of James Toback’s “Tyson” might sound overwhelming. Spending ninety minutes with a man as intense, controversial, and even scary as Mike Tyson could have been a nightmare. But in the hands of the very talented Toback (“Bugsy,” “Fingers”), “Tyson” is a riveting portrait of a life lived in the public eye but barely understood by it.

‘The Hangover’: All the Fun of Inebriation, No Next-Day Headache

The Hangover

CHICAGO – Those who seek out “The Hangover” will do so wanting a good laugh. Those who see this film will occasionally be struck with the feeling that they shouldn’t be laughing. But laugh and laugh often they will as “The Hangover” will whirl you through all the fun of inebriation without the consequence of the nasty, next-day headache.

Interview: Talking ‘Tyson’ With Writer, Director James Toback

CHICAGO – If you’re merely a casual movie goer, you may not know the name James Toback, but you probably know his work. If you do know the name, you probably have an opinion.

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  • Sherlock Holmes with David Arquette (teaser)

    CHICAGO – Different isn’t bad and might be great, but you’d better have an irrefutable reason to change what was never broken. Campy being the only word to accurately convey this alternate-reality version of Sherlock Holmes with an original script, writer Greg Kramer and director Andrew Shaver try too hard to be different without ever figuring out why.

  • Merry Widow, The

    CHICAGO – Standing up at the Lyric Opera house in Chicago is unusual before a show. But in this case, it was the night after a tragedy, and the operetta “The Merry Widow” – set in Paris, France, in 1905 – was about to unfold. The orchestra struck up La Marseillaise, a reminder that we’ll always have Paris.


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