CHICAGO – The issue of gender identity, especially for those who are born with a vagueness as to what to call themselves between/beyond boy and girl, has come front and center in the U.S., both with the legalization of gay marriage and the callous repudiation of identity by trying to pass laws dismissing it (the North Carolina “bathroom” laws). The performance companies of The Living Canvas and Nothing Without a Company is currently staging “[Trans]formation,” which presents gender identity art by six performers, who perform most of the play in the nude.
CHICAGO – Business and creative people go together as well as fine wine at a burger joint. Riding on the heels of the monumentally profitable “The Hangover,” the brass win out over the artists in “The Hangover Part II”.
CHICAGO – To a lot of people out there, the very concept of James Toback’s “Tyson” might sound overwhelming. Spending ninety minutes with a man as intense, controversial, and even scary as Mike Tyson could have been a nightmare. But in the hands of the very talented Toback (“Bugsy,” “Fingers”), “Tyson” is a riveting portrait of a life lived in the public eye but barely understood by it.
CHICAGO – Those who seek out “The Hangover” will do so wanting a good laugh. Those who see this film will occasionally be struck with the feeling that they shouldn’t be laughing. But laugh and laugh often they will as “The Hangover” will whirl you through all the fun of inebriation without the consequence of the nasty, next-day headache.
CHICAGO – If you’re merely a casual movie goer, you may not know the name James Toback, but you probably know his work. If you do know the name, you probably have an opinion.