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Michael Moore

Feature: Top 25 Interviews of 2014, By Patrick McDonald

CHICAGO – One of the specialities of HollywoodChicago.com is the film and personality interview. The majority of these chats came through me, Patrick McDonald, and I couldn’t narrow it down to a top 10 or even a top 20. For 2014, there were 25 top interviews, and it is a diverse range of voices.

Interviews: Filmmaker Michael Moore Meets Chaz Ebert at 50th Chicago International Film Festival

CHICAGO – What better way to get over the post-election hangover than hearing from the progressive lion, Michael Moore. Moore was on the Red Carpet at the 50th Chicago International Film Festival, and ran into an old friend, Chaz Ebert.

Slideshow: Exclusive Red-Carpet Portraits at the 50th Chicago International Film Festival

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Filmmaker and activist Michael Moore introduced ‘Roger and Me.’

CHICAGO – As the 2014 edition of the 50th Chicago International Film Festival ends on October 23rd, HollywoodChicago.com spotlights the Red Carpet events with a collection of Exclusive Portraits from photographer Joe Arce. Directors are highlighted, as filmmakers ranging from Oliver Stone to Michael Moore are featured.

Film News: Sneak Peek at the 50th Annual Chicago International Film Festival

CHICAGO – One of the finest places in the world to witness its best cinema is the Chicago International Film Festival, which is now hitting its golden year of 50. This year’s festival boasts a lineup of top tier entries from world renowned filmmakers, packaged in the distinct Chicago flavor that keeps the city on a level all its own.

Interview: Jeff Garlin, Co-Directors Are ‘Finding Vivian Maier’

CHICAGO – The story of a Chicago-based woman – who died in 2009 at age 83 – has become the subject of a remarkable new documentary. “Finding Vivian Maier” is a film about revelation, and was created by co-directors John Maloof and Charlie Siskel, with the support of Executive Producer and comedian Jeff Garlin.

DVD Review: ‘Entre Nos’ Touchingly Pays Tribute to Motherhood

Entre Nos DVD

CHICAGO – Some art house films are political polemics disguised as personal stories. “Entre Nos” is not one of them. Though its DVD includes a PSA on immigration reform, and comes packaged with a label exclaiming, “One of Michael Moore’s 20 ‘Best Pictures of 2009,’” the film itself does not have a message to preach. It’s a tale of people rather than ideas, and is all the more effective because of it.

Blu-Ray Review: ‘Capitalism: A Love Story’ Finds the Provocateur in Top Form

Capitalism: A Love Story Blu-Ray

CHICAGO – No contemporary filmmaker has mastered the art of opinionated cinema better than Michael Moore. He doesn’t pretend to be fair and balanced, and he doesn’t claim to have all the answers. He’s more interested in raising questions that sorely need to be addressed and debated. There are few things more American than the act of questioning a system that most people have taken for granted.

Interview: Michael Moore on Detroit, Obama, Health Care, ‘Capitalism: A Love Story’

CHICAGO – One of the most divisive filmmakers in the history of the medium recently sat down with me for a very exclusive one-on-one interview.

Video: Michael Moore Previews in Chicago With Stunt, Teaser Trailer

CHICAGO – Michael Moore, again pushing the hot button, interrupted the scheduled 7:15pm showing of “Pelham 1-2-3” at Chicago’s AMC River East Theater on Friday, June 12th, with a publicity stunt and teaser for his next documentary.

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TV, DVD, BLU-RAY & THEATER REVIEWS

  • Book of Merman, The

    CHICAGO – One potential theater-goer loves the “The Book of Mormon.” The other would rather stay home and watch old Ethel Merman YouTube videos. Pride Films & Theater offers the ultimate solution by combining both in a campy musical, “The Book of Merman.” Yep, two Elder characters from The Church of Jesus Christ of Latter-Day Saints meets foghorn singer Ethel Merman.

  • Men, Women & Children with Kaitlyn Dever

    CHICAGO – In “Men, Women & Children,” director Jason Reitman not-so-audaciously reflects onto viewers their world of silent screens and awkward impersonal interactions. As many stories (“Don Jon,” “Disconnect”) have taken on the torch of showing how we are, gasp! — connected to the world yet disconnected from those close to us — Reitman’s tale is just another one for the batch.

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