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Michael Lerner

Film Review: Julia Roberts Reflects on Snow White in ‘Mirror Mirror’

CHICAGO – Since I know I’m the fairest of them all, I won’t focus on the symbolic impressions of ‘Mirror Mirror.’ This is the Snow White legend based on the original story by the Brothers Grimm, and includes Julia Roberts, Lily Collins, Armie Hammer and Nathan Lane in its cast.

Blu-Ray Review: Criterion Tackles Todd Solondz’s ‘Life During Wartime’

Life During Wartime

CHICAGO – The Criterion deal with IFC Films has led to some very interesting additions to their collection including some controversial choices. The universally-acclaimed and upcoming “Carlos” may be understandable but do “Everlasting Moments” and “Revanche” deserve the standing that comes with the Criterion label? I’m torn and no more so than with the release of “Life During Wartime,” a decent and interesting flick that nonetheless would be FAR down the list of movies I would choose for induction into the most important club in DVD history.

Interview: Todd Solondz Examines How to Survive ‘Life During Wartime’

CHICAGO – With his unique and sometimes divisive career, writer/director Todd Solondz is something of a controversial figure in the world of independent cinema. Some people love him, others hate him, and very few fall in the middle. His new film, “Life During Wartime,” is unlikely to change his polarizing reputation.

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TV, DVD, BLU-RAY & THEATER REVIEWS

  • 47 Ronin with Keanu Reeves

    CHICAGO – If you’ve ever wondered what the difference is between a director and a producer, let “47 Ronin” explain how the hierarchy of creativity hinders the evolution of even the most straightforward-sounding pitches. “47 Ronin” is the type of samurai movie set in Japan that features native actors speaking only English, while Keanu Reeves stars as an outsider clearly plunked into the picture for stateside star power.

  • A Field in England (teaser)

    CHICAGO – I can’t recommend this more. “A Field in England” is a flashback and a flash forward all at once. It’s impossible to watch without thinking of great counter culture cinema. In fact when I saw it at Fantastic Fest 2013 it played as part of a double bill with Ken Russell’s “The Devils” (1971). They made perfect cinematic companion pieces. Russell’s film concerned a wayward priest desperate to protect his 17th century city from corruption in the Church only to fall victim to group hysteria when he is, ironically, accused of witchcraft by a jealous nun.

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