Looming over “Bad Words” is the potential it could have had, as is, were it released ten years ago. With its focus of R-rated behavior poking at the projected innocence of children, along with the couple of chromosomes that keep Bateman’s Trilby from being a Vince Vaughn character, this movie is certainly a product of the comedies that have sculpted out the manchild story in the past decade.
Michael Jai White
CHICAGO – In the latest HollywoodChicago.com Hookup: Film with our unique social giveaway technology, we have 50 admit-two movie passes up for grabs to see the Sundance Film Festival-rocking blaxploitation “Black Dynamite”!
CHICAGO – Mario Van Peebles is a second generation filmmaker, following the footsteps of his revolutionary director father, Melvin Van Peebles. In keeping with the family business, Mario has included his children in his latest film, “We the Party,” a high school movie about this particular time in history for youth and their culture, and the impact this era has on them.
CHICAGO – The Tyler Perry empire rolls on, with a new show called “For Better or Worse” premiering November 25th on TBS. The series is based on two films Perry produced, “Why Did I Get Married?” and “Why Did I Get Married Too?” and focuses on characters played in both films by Tasha Smith and Michael Jai White.
HollywoodChicago.com Hookup: 50 Pairs of Sneak-Peek Chicago Passes to ‘Tyler Perry’s For Better or Worse’ on TBSSubmitted by HollywoodChicago.com on November 9, 2011 - 3:18pm
CHICAGO – In our latest edition of HollywoodChicago.com Hookup: TV, we have 50 admit-two passes up for grabs to the special sneak screening of the premiere episode of the new romantic comedy series “Tyler Perry’s For Better or Worse” on TBS!
CHICAGO – Tyler Perry’s films have been steadily improving but the ones that work still rely heavily on their leading ladies – for example, Taraji P. Henson in “I Can Do Bad All By Myself” and Angela Bassett in “Meet the Browns.” The quartet of women in “Why Did I Get Married Too?” can’t elevate the substandard writing and cheap cliche in the same way and the dramedy ends up one of Perry’s worst in years.