CHICAGO – Few figures have had less of an exciting domination of the world than Kevin Hart. In the past few years, the comedian has skyrocketed to leading fixture in the comedy scene, creating hit scripts out of films like “Think Like A Man” and “About Last Night,” while taking victory laps in his lacking stand-up features like “Kevin Hart: Let Me Explain”. The big problem is that these projects don’t justify his comic potential.
CHICAGO – I may never know how “In Their Skin” came into being, but I have a pretty good theory. Screenwriter/star Josh Close was so appalled by the unapologetic bleakness of Michael Haneke’s “Funny Games” that he took it upon himself to make the exact same movie, more or less, but with a much happier ending. It’s a noble effort but every bit as pointless as Rod Lurie’s proudly non-misogynistic remake of “Straw Dogs.”
CHICAGO – One of the most shocking developments at yesterday’s Oscar nominations was the widespread inclusion of one of international cinema’s most controversial directors, Michael Haneke (“Caché,” “The White Ribbon”). His newest film, “Amour,” opening in Chicago theaters today, was nominated for Best Director, Best Original Screenplay, Best Actress, Best Foreign Language Film, and Best Picture of the Year.
CHICAGO – After receiving eight previous prizes at the Cannes Film Festival, German filmmaker Michael Haneke became the first person in history to win the Palme d’Or twice within a mere three-year period. Haneke snagged the top prize at Cannes for “Amour,” a widely praised drama about an elderly couple whose love is challenged by the physical frailties of age.
CHICAGO – Michael Haneke is one of our best living filmmakers, having already delivered at least one masterpiece in the amazing “Cache” and a few other notable works like “Funny Games,” “The Piano Teacher,” and “Code Unknown.” Those familiar with the quality of his filmography may be stunned to learn that “The White Ribbon” is arguably his best.
CHICAGO – The international reputation of director Michael Haneke (”Caché,” “Funny Games”) is due in no small part to his longtime collaboration with cinematographer Christian Berger, who photographed Haneke’s latest film, “The White Ribbon.”
CHICAGO – Imagine a film with no redeeming or uplifting emotional qualities with evil that tortures the soul, squirm-inducing narrative elements and a relentless anxiety that practically has us – like the characters in the film – screaming for mercy. Imagine also that this film is excellent.