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Michael Haneke

DVD Review: ‘In Their Skin’ Rips Off Michael Haneke, Tacks on Sentimental Finale

In Their Skin DVD

CHICAGO – I may never know how “In Their Skin” came into being, but I have a pretty good theory. Screenwriter/star Josh Close was so appalled by the unapologetic bleakness of Michael Haneke’s “Funny Games” that he took it upon himself to make the exact same movie, more or less, but with a much happier ending. It’s a noble effort but every bit as pointless as Rod Lurie’s proudly non-misogynistic remake of “Straw Dogs.”

Film Review: Michael Haneke’s ‘Amour’ Turns Inevitability of Death Into Art

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO – One of the most shocking developments at yesterday’s Oscar nominations was the widespread inclusion of one of international cinema’s most controversial directors, Michael Haneke (“Caché,” “The White Ribbon”). His newest film, “Amour,” opening in Chicago theaters today, was nominated for Best Director, Best Original Screenplay, Best Actress, Best Foreign Language Film, and Best Picture of the Year.

Film News: Michael Haneke’s ‘Amour’ Wins Top Prize at Cannes Festival

CHICAGO – After receiving eight previous prizes at the Cannes Film Festival, German filmmaker Michael Haneke became the first person in history to win the Palme d’Or twice within a mere three-year period. Haneke snagged the top prize at Cannes for “Amour,” a widely praised drama about an elderly couple whose love is challenged by the physical frailties of age.

Blu-Ray Review: Masterful ‘The White Ribbon’ Dissects Root of Evil

The White Ribbon

CHICAGO – Michael Haneke is one of our best living filmmakers, having already delivered at least one masterpiece in the amazing “Cache” and a few other notable works like “Funny Games,” “The Piano Teacher,” and “Code Unknown.” Those familiar with the quality of his filmography may be stunned to learn that “The White Ribbon” is arguably his best.

Interview: Cinematographer Christian Berger Unravels ‘The White Ribbon’

CHICAGO – The international reputation of director Michael Haneke (”Caché,” “Funny Games”) is due in no small part to his longtime collaboration with cinematographer Christian Berger, who photographed Haneke’s latest film, “The White Ribbon.”

With Surreal Madness, Strange Boys Play ‘Funny Games’

CHICAGO – Imagine a film with no redeeming or uplifting emotional qualities with evil that tortures the soul, squirm-inducing narrative elements and a relentless anxiety that practically has us – like the characters in the film – screaming for mercy. Imagine also that this film is excellent.

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  • Sherlock Holmes with David Arquette (teaser)

    CHICAGO – Different isn’t bad and might be great, but you’d better have an irrefutable reason to change what was never broken. Campy being the only word to accurately convey this alternate-reality version of Sherlock Holmes with an original script, writer Greg Kramer and director Andrew Shaver try too hard to be different without ever figuring out why.

  • Merry Widow, The

    CHICAGO – Standing up at the Lyric Opera house in Chicago is unusual before a show. But in this case, it was the night after a tragedy, and the operetta “The Merry Widow” – set in Paris, France, in 1905 – was about to unfold. The orchestra struck up La Marseillaise, a reminder that we’ll always have Paris.


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