Something always felt a bit out of place for me in Martin Scorsese’s brilliant “The King of Comedy”, just released on Blu-ray for the first time. I couldn’t put my finger on it but chalked it up to it being thematically ahead of its time in its investigation of the cult of personality that defines modern entertainment.
HollywoodChicago.com Hookup: 40 Pairs of Passes to ‘Last Vegas’ with De Niro, Douglas, Freeman, KlineSubmitted by HollywoodChicago.com on October 23, 2013 - 9:51pm
CHICAGO – In the latest HollywoodChicago.com Hookup: Film with our unique social giveaway technology, we have 40 pairs of advance-screening movie passes up for grabs to the comedy “Last Vegas” with Robert De Niro, Michael Douglas, Morgan Freeman and Kevin Kline!
CHICAGO – It could have been so awful. Liberace was such an over-the-top character that capturing his most extreme behavior in the form of a TV movie could have been the kind of campy thing that deserves comparison to “Showgirls.”
CHICAGO – In many ways, it’s easier to draw a direct line from 1997’s “The Game” to the work that David Fincher is doing today than it would be from “bigger hits” like “Fight Club” and “Seven.” Not only does “The Game” look strikingly similar to “Social Network” and “Girl with a Dragon Tattoo” in terms of the way Fincher and his amazing d.p. Harris Savides shoot board rooms and bad behavior but the film shares themes that still interest Fincher like obsession, ego, and deception. The Criterion edition of Fincher’s film makes the argument crystal clear that is one of the most underrated thrillers of the ’90s.
CHICAGO – Audiences really didn’t take to “Haywire” like critics as the film bombed at the box office, grossing only $19 million domestically and just over $30 million worldwide. It’s the kind of flick that I think polarized its two potential audiences. Action movie fans didn’t think it had enough action. Steven Soderbergh fans thought it had too much. Personally, I think everything Soderbergh does is interesting and this is no exception. Which makes the lackluster HD release disappointing.
CHICAGO – As his excellent “Haywire” plays in theaters and his even-better “Contagion” was recently released on Blu-ray and DVD, one is reminded of the incredible talent of Steven Soderbergh, one of the best living directors. But “Contagion” and “Haywire,” while enjoyable, don’t hold a candle to this incredible filmmaker’s best films, which include “Sex, Lies, and Videotape,” “Out of Sight,” “Che,” and, recently released on Criterion Blu-ray and DVD, the Oscar-winning “Traffic.” This is one of Criterion’s best releases for one of the ‘00’s best films.
CHICAGO – Steven Soderbergh is one of the few directors who can do whatever the hell he wants. Whatever genre, whomever he casts, whichever story he chooses to tell – he pulls it off.
CHICAGO – Remember when every Oliver Stone movie caused waves? There was a time when he was a love-him-or-hate-him director who provoked conversation with every outing. Perhaps the most interesting thing about his recent work like “World Trade Center” and “Wall Street: Money Never Sleeps,” recently released on Blu-ray and DVD, is how little impact it has had. He seems to be making movies most people like but no one loves or hates. The sequel to one of his best films is a good drama but doesn’t really resonate like the man used to do every time out.
CHICAGO – After a string of disappointments that include “Alexander,” “World Trade Center” and “W,” one of the best directors of the 1980s and 1990s at least draws closer to form with the entertaining “Wall Street: Money Never Sleeps”.
HollywoodChicago.com Hookup: 25 Chicago Passes to ‘Wall Street: Money Never Sleeps’ With Michael DouglasSubmitted by HollywoodChicago.com on September 18, 2010 - 3:25am
CHICAGO – In our latest drama edition of HollywoodChicago.com Hookup: Film, we have 25 admit-two passes up for grabs to the advance Chicago screening of the new Oliver Stone film “Wall Street: Money Never Sleeps” with Michael Douglas and Shia LaBeouf!
CHICAGO – Michael Douglas is so good at playing a particular type of character that it’s easy to forget just how good of an actor he is. While his father seemed capable of playing any role, from van Gogh to Spartacus, Douglas has specialized in playing suave scoundrels with slicked back hair, a snakelike voice, and a sinfully seductive belief in the inherent goodness of greed.