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Memento

Blu-Ray Review: Christopher Nolan’s Masterful ‘Memento’ Hits Decade Mark

Memento

CHICAGO – Now’s the time that a lesser writer would make some plot-related pun related to ask if you remember “Memento,” one of the best films of the ’00s that also happens to feature a protagonist suffering from memory loss. One thing fans of writer/director Christopher Nolan would like to forget is how cruel the Academy has been to their favorite filmmaker over the last decade, failing to nominate him yet for Best Director and never giving him an Oscar. For shame.

Interview: Director David Michôd Explores His ‘Animal Kingdom’

CHICAGO – The gangster movie gets a nice Freudian twist in director David Michôd’s new film, “Animal Kingdom.” This Australian import focuses on a family of bank robbers whose mother is the glue that holds their criminality together. Guy Pearce (”Memento,” “The Hurt Locker”) lends his talent as Leckie, a pursuing police officer.

Blu-Ray Review: ‘Insomnia’ From ‘Inception’ Director Christopher Nolan

Insomnia

CHICAGO – In many ways, Christopher Nolan’s “Insomnia,” recently released on beautiful Blu-ray, is the perfect companion piece to his new masterpiece, “Inception,” now playing in theaters. The film may not get the international attention of “The Dark Knight” but it stands as further proof that this man is one of our best living directors.

‘The Hangover’: All the Fun of Inebriation, No Next-Day Headache

The Hangover

CHICAGO – Those who seek out “The Hangover” will do so wanting a good laugh. Those who see this film will occasionally be struck with the feeling that they shouldn’t be laughing. But laugh and laugh often they will as “The Hangover” will whirl you through all the fun of inebriation without the consequence of the nasty, next-day headache.

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  • Bad Words

    Looming over “Bad Words” is the potential it could have had, as is, were it released ten years ago. With its focus of R-rated behavior poking at the projected innocence of children, along with the couple of chromosomes that keep Bateman’s Trilby from being a Vince Vaughn character, this movie is certainly a product of the comedies that have sculpted out the manchild story in the past decade.

  • Winter's Tale

    The theatrical poster for “Winter’s Tale,” after promising that “It’s not a true story, it’s a love story,” made a large demand from its viewers at the bottom: “This Valentine’s Day, Believe In Miracles.” While there is indeed a difference between filmmaking and marketing, it is hard to not imagine writer/director Akiva Goldsman whispering “believe in miracles” into the ear of every executive who helped “Winter’s Tale” come to life, immediately after throwing glitter on them.

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