Jason Statham has become an amorphous blob in the action genre, but an amorphous blob who is his own archetype, nonetheless. With the “Expendables” movies he began to take the genre torch from Sylvester Stallone, and now working from a script by Stallone in “Homefront”, his Americanization is nearly certified. That being said, watching Jason Statham tattoo a bald eagle on himself might be more enjoyable than his latest addition to a bloated filmography, “Homefront”. That, or staging a debate with Stallone and Statham about gun control.
Melvin Van Peebles
CHICAGO – The Tyler Perry “filmmaking machine” cranks out lowbrow comedies or high drama potboilers without any regard for originality. While this may jibe with Perry’s creative vision, the films themselves are a waste of time. Tina Gordon Chism directs the latest Perry production, “Peeples.”
CHICAGO – Craig Robinson is in the swirl of two media events in the next two weeks. His latest film “Peeples” – in which he plays the romantic comedy lead – opens on Friday. The famous TV series he has been featured in, “The Office,” has its final episode after nine seasons on Thursday, May 16th.
CHICAGO – The Van Peebles name has had a long and historic contribution to the history of movies from the 1970s to today. Director Mario Van Peebles has extended a tradition of filmmaker credibility that began with his father Melvin’s breakthrough with “Sweet Sweetback’s Baadasssss Song” (1971) and continues with Mario’s recent release, “We the Party.”
CHICAGO – Mario Van Peebles is a second generation filmmaker, following the footsteps of his revolutionary director father, Melvin Van Peebles. In keeping with the family business, Mario has included his children in his latest film, “We the Party,” a high school movie about this particular time in history for youth and their culture, and the impact this era has on them.