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Melissa McCarthy

Film Review: ‘Ghostbusters’ Entertains, But Lacks the Paul Feig Edge

CHICAGO –Throughout the reboot of “Ghostbusters,” it becomes obvious that co-writer/director Paul Feig (“Bridesmaids,” “The Heat”) is just going to do a straight re-do of the 1984 film, because the film lacks his sardonic touch, even though it does entertain and has the requisite big special effects.

Film Review: Melissa McCarthy Really Proves She is ‘The Boss’

CHICAGO – If anything, “The Boss” is a bigger testimony to Melissa McCarthy’s status as a comic superpower than her breakthrough role in “Bridesmaids.” That one had a veritable treasure trove of comedic talent, while McCarthy has considerably less to work with here.

Film Review: Fresh Blast of Funny From Melissa McCarthy in ‘Spy’

CHICAGO – It can be argued that Melissa McCarthy, with a film a year and a TV sitcom still running, is topping out on exposure. But as long as she teams with writer/director Paul Feig, as she did on “Bridesmaids” and “The Heat,” she will continue to be an original comic force. Their latest is “Spy.”

Interview: Hilarious Writer & Director Paul Feig, of New Film 'Spy'

CHICAGO – He’s not a household name, but he has certainly rocked a few houses…with laughter. Writer/director Paul Feig has a new film called “Spy,” in which he re-teams with two of the supporting cast of his “Bridesmaids” romp, Melissa McCarthy and Rose Byrne. “Spy” opens on Friday, June 5th.

Film Review: Phony ‘St. Vincent’ is Bill Murray’s Worst Choice Since ‘Garfield’

CHICAGO – “Garfield, maybe” was the sole utterance of regret that iconic actor/prolific movie-golfer Bill Murray expressed in 2009’s “Zombieland” before he died. Should the adoration for this cameo resurrect him for that film’s announced sequel, Murray will hopefully denounce “St. Vincent,” his most needless and perverse career choice since vocally birthing “Garfield” (and yes, that includes getting a handjob as Franklin Delano Roosevelt in 2012’s also terrible “Hyde Park on Hudson”).

Interview: Ted Melfi Directs Bill Murray in ‘St. Vincent’

CHICAGO – There are few better opportunities for a filmmaker than directing Bill Murray in a character role. Theodore “Ted” Melfi got that assignment, after pursuing Murray with his screenplay for the new film, “St. Vincent.” The effort to convince the veteran comic actor to take the title role paid off, and other notable actors joined in.

Preview: Mid-Week With the 50th Chicago International Film Festival

CHICAGO – The 50th Chicago International Film Festival of 2014 gets into gear this week, with a line-up of films from all over the world. The festival breaks down these films in several categories, including the Main Competition, New Directors, Docufest, Out-Look (LGBT), World Cinema, After Dark and Spotlight Scandinavia.

Film Review: Unfunny ‘Tammy’ is a Melissa McCarthy Misfire

Tammy front

CHICAGO – Melissa McCarthy has jumped the shark. Or if she hasn’t, she’s strapped on the skis and is contemplating the ramp. Going once more to the same character well – this time with a script co-written with her husband Ben Falcone and directed by him – McCarthy shows little originality or gumption as the title character in “Tammy..”

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TV, DVD, BLU-RAY & THEATER REVIEWS

  • Speech & Debate (stage play)

    CHICAGO – “Speech & Debate,” the latest production from the mighty Brown Paper Box Company, continues their tradition of thinking outside that “box” in presenting storefront theater that makes a statement and a difference. “Speech” goes inside America by showcasing the outsiders… those who create art because they can’t get it right in real life. This non-equity Chicago stage play premiere is finely tuned and wonderfully acted, and runs through March 4th, 2018. Click here for more details, including ticket information.

  • We're Gonna Be Okay

    CHICAGO – The 1960s were a time of historical social transition. The movements – civil rights, feminist, gay rights – all had roots in that tumultuous decade. The Chicago premiere of Basil Kreimendahl’s “We’re Gonna Be Okay” echoes all of those movements in its characters, and collides them against the October 1962 Cuban Missile Crisis. The show has a Thursday-Sunday run at the American Theater Company through March 4th, 2018. Click here for more details, including ticket information.

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