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Matthias Schoenaerts

Film Review: Animal Psychology Charges Rugged Thug Tale ‘The Drop’

The Drop

CHICAGO – For a film adapted from “Mystic River” and “Gone Baby Gone” author Dennis Lehane, there are no children in danger in “The Drop,” but there is a pit bull puppy named Rocco. The dog’s involvement in the story, an animal who gets as many closeups this side of a Charles Martin Smith film, invites the uncharacteristically blunt metaphor of how creatures fight for power, or even just the impression of power.

Film Review: Unfocused ‘Rust and Bone’ Wastes Marion Cotillard

CHICAGO – It’s been three years since Jacques Audiard made a sizable splash in American art houses with “A Prophet,” a spellbinding picture that certainly ranks as one of the great crime films of the last decade. By following an Arab youth through his punishing sentence in a French prison, it provided audiences with an unforgettable portrait of corrupted innocence.

Film Review: Memorable Central Character Drives Depressing ‘Bullhead’

Bullhead
HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – The central character in the Oscar-nominated “Bullhead” is a force of nature not unlike Jake La Motta in Scorsese’s “Raging Bull” or the title character in Refn’s “Bronson.” He is less human than hormone as he injects himself with steroids like a bull being fattened to make better steaks. And his story is clearly one that it is going to end tragically. This dark, vicious film gets a bit muddled at times but the strength of its lead performance and a strong visual palette make it a stark but worthwhile trip.

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