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Matt Reeves

Film Review: ‘War for the Planet of the Apes’ Delivers Old Hollywood Glory

CHICAGO – Since the Golden Age of cinema, theaters have tried countlessly to deliver up big budget films. Summer is here and the public is showing that they are cooling off these blockbusters, no longer fooled by the thought that cost equates to quality. “War for the Planet of the Apes” shows us that blockbusters may still be redeemed by channeling some Old Hollywood magic.

Film Review: Dull Soap Opera in ‘Dawn of the Planet of the Apes’

CHICAGO – “Dawn Of The Planet Of The Apes” just goes to show you can have the most expensive and best looking visual effects money can buy, but it doesn’t mean a damn thing if you haven’t got a good tale to tell.

Blu-Ray Review: Great Horror Movie ‘Let Me In’ Gets Special-Edition Treatment

Let Me In

CHICAGO – Matt Reeves’ “Let Me In” was one of the most divisive choices on my ten best of 2010. I stand by it in every way, especially after checking out the great Blu-ray from Overture and Anchor Bay. With a spectacular HD transfer and some great special features, this is the best horror release of a season packed with them as the Halloween 2010 films start to hit the home format.

Film Review: Harrowing ‘Let Me In’ Stands Tall Next to Original

CHICAGO – Believing all remakes are pointless is as narrow-minded as suggesting that they’re all worthwhile. It’s not an all-or-nothing proposition. Like a fantastic cover version of an amazing song, there can be room for more than one cinematic interpretation of the same story.

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TV, DVD, BLU-RAY & THEATER REVIEWS

  • Speech & Debate (stage play)

    CHICAGO – “Speech & Debate,” the latest production from the mighty Brown Paper Box Company, continues their tradition of thinking outside that “box” in presenting storefront theater that makes a statement and a difference. “Speech” goes inside America by showcasing the outsiders… those who create art because they can’t get it right in real life. This non-equity Chicago stage play premiere is finely tuned and wonderfully acted, and runs through March 4th, 2018. Click here for more details, including ticket information.

  • We're Gonna Be Okay

    CHICAGO – The 1960s were a time of historical social transition. The movements – civil rights, feminist, gay rights – all had roots in that tumultuous decade. The Chicago premiere of Basil Kreimendahl’s “We’re Gonna Be Okay” echoes all of those movements in its characters, and collides them against the October 1962 Cuban Missile Crisis. The show has a Thursday-Sunday run at the American Theater Company through March 4th, 2018. Click here for more details, including ticket information.

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