Jason Statham has become an amorphous blob in the action genre, but an amorphous blob who is his own archetype, nonetheless. With the “Expendables” movies he began to take the genre torch from Sylvester Stallone, and now working from a script by Stallone in “Homefront”, his Americanization is nearly certified. That being said, watching Jason Statham tattoo a bald eagle on himself might be more enjoyable than his latest addition to a bloated filmography, “Homefront”. That, or staging a debate with Stallone and Statham about gun control.
Masters of Horror
Blu-Ray Review: ‘Vanishing on 7th Street’ Likely to Disappear Into Horror History
Submitted by BrianTT on May 19, 2011 - 1:51pmCHICAGO – Horror writers and directors have been afraid of the dark since the start of the genre. Sadly, that fear of blackness has never translated to film as successfully as one would hope. There’s an inherent problem in watching a movie about darkness in that it can never make that fear fully real unless it goes to complete black screen. The latest entry in this flawed subgenre is Brad Anderson’s “Vanishing on 7th Street,” a minor work from a major director.
DVD Review: ‘Fear Itself’ Has a Few Highlights, But More Lowlights
Submitted by BrianTT on September 28, 2009 - 5:02pmCHICAGO – I am an unabashed junkie of anthology horror shows and will gladly debate with you why “The Twilight Zone” is the best show of all time before we get to discussing “The Outer Limits,” “Amazing Stories,” and “Tales From the Crypt.” Naturally, I was a big fan of Showtime’s “Masters of Horror” and was intrigued when a lot of that series’ major players jumped to NBC for “Fear Itself”.
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