CHICAGO – The issue of gender identity, especially for those who are born with a vagueness as to what to call themselves between/beyond boy and girl, has come front and center in the U.S., both with the legalization of gay marriage and the callous repudiation of identity by trying to pass laws dismissing it (the North Carolina “bathroom” laws). The performance companies of The Living Canvas and Nothing Without a Company is currently staging “[Trans]formation,” which presents gender identity art by six performers, who perform most of the play in the nude.
Masters of Horror
CHICAGO – Horror writers and directors have been afraid of the dark since the start of the genre. Sadly, that fear of blackness has never translated to film as successfully as one would hope. There’s an inherent problem in watching a movie about darkness in that it can never make that fear fully real unless it goes to complete black screen. The latest entry in this flawed subgenre is Brad Anderson’s “Vanishing on 7th Street,” a minor work from a major director.
CHICAGO – I am an unabashed junkie of anthology horror shows and will gladly debate with you why “The Twilight Zone” is the best show of all time before we get to discussing “The Outer Limits,” “Amazing Stories,” and “Tales From the Crypt.” Naturally, I was a big fan of Showtime’s “Masters of Horror” and was intrigued when a lot of that series’ major players jumped to NBC for “Fear Itself”.