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Mary-Louise Parker

TV Review: Showtime’s ‘Weeds’ Returns For Promising Final Season

CHICAGO – Jenji Kohan’s “Weeds” was one of the best comedies on television in its first few seasons on Showtime. From 2005-2008, it was easily one of the best half-hour programs on TV, netting Emmy nominations every year, including ones for Best Comedy, Best Actress, and Best Supporting Actress.

TV Review: Edgy Comedies ‘The Big C,’ ‘Weeds’ Return to Showtime

CHICAGO – The revolving door of talented actresses has turned at Showtime. “Nurse Jackie” and “The United States of Tara” just ended their seasons and so Edie Falco and Toni Collette head out one side while Laura Linney and Mary-Louise Parker come in the other with the season premieres of “The Big C” and “Weeds,” respectively.

Blu-Ray Review: Latest Seasons of Showtime’s ‘Nurse Jackie,’ ‘Weeds’

Weeds: S6

CHICAGO – One of Showtime’s former best comedies and one of their current best both saw a season land on Blu-ray in the last few weeks and we’re here to give you the details. Lionsgate owns the rights to “Nurse Jackie” and “Weeds,” two of the more acclaimed cable programs on the air right now. Sadly, the once-brilliant “Weeds” is a shadow of its former self, but “Nurse Jackie” continues to deliver.

Blu-Ray Review: James Franco Rocks in Intriguing if Flawed ‘Howl’

Howl

CHICAGO – James Franco gave a riveting performance in Danny Boyle’s “127 Hours” that is likely to earn one of the best actors of his generation an Academy Award nomination in a few weeks, but it wasn’t his only stellar turn in 2010. He also thoroughly delivered as the legendary poet Allen Ginsberg in the hybrid “Howl,” a film that’s part poem, part courtroom drama, and part history lesson. It doesn’t always come together but it’s worth seeing just for Franco’s work and the strength of the source material alone.

Film Review: Talented Ensemble Wasted on Incredibly Dull ‘Red’

CHICAGO – They say you can learn as much from a bad movie as you can from a good one. If that’s true, what’s the lesson to be taken from the extremely boring and misguided “Red”?

HollywoodChicago.com Hookup: 35 Chicago Passes to ‘Red’ Screening With Bruce Willis, Morgan Freeman

Red with Bruce Willis and Morgan Freeman

CHICAGO – In our latest action/comedy edition of HollywoodChicago.com Hookup: Film, we have 35 admit-two passes up for grabs to the advance screening of the new film “Red” with Bruce Willis, Morgan Freeman, John Malkovich, Helen Mirren and Mary-Louise Parker!

Film Review: James Franco as Allen Ginsberg Unleashes a Primal Scream in ‘Howl’

Howl, James Franco

CHICAGO – “I saw the best minds of my generation destroyed by madness, starving hysterical naked…” So began the reading of Allen Ginsberg’s poem that rattled society, the very title of which is the inspiration for the new film, “Howl,” featuring James Franco, Jon Hamm and Mary Louise-Parker.

Interviews: Directors Rob Epstein, Jeffrey Friedman of ‘Howl’

CHICAGO – The seismic shift that took place with the publication of Allen Ginsberg’s epic poem, “Howl” – which is also the title of the new movie about the verse – reverberates and inspires to this very day. The brilliantly rendered film, starring James Franco as Ginsberg, is written and directed by Rob Epstein and Jeffrey Friedman.


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TV, DVD, BLU-RAY & THEATER REVIEWS

  • Texas Chainsaw

    CHICAGO – Why do they keep making these awful movies? I’m a horror fan. I think Tobe Hooper’s original “Texas Chainsaw Massacre” is a truly effective (if a bit overrated) movie that has to be included on a list of the most influential of its era. But nearly everything that it has literally spawned has been awful. Sure, “TCM 2” has some wackadoo charm but the modern remakes — the two Platinum Dunes flicks and now this 3D stinker, reecently released on Blu-ray and DVD, are just a waste of time. To be fair, this reboot/sequel isn’t nearly as annoying as the last two but it’s still awful.

  • The Goodwin Games

    CHICAGO – “The Goodwin Games” is bad, bad, bad. You know a show is likely to be awful when a network cuts back the order and buries its premiere in a time of year when most people are getting outside or going to see Summer blockbusters. While the networks are busy promoting Fall 2013 at Upfronts, who cares about a new show that won’t make it more than two months? And yet there is sometimes reason for hope that a network executive just missed the humor and is actually burying a hidden gem. Hope dies at “The Goodwin Games” and I wish they had buried it deeper.

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