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Mary Elizabeth Winstead

Film Review: Spotty ‘Swiss Army Man’ Has Just Enough Gas

CHICAGO – It’s a simple concept. A man is stuck on an island, and has run out of hope. A dead corpse washes ashore and starts farting. The farts are so frequent that the man rides the corpse like a jet ski. The man is “saved”? Oh yes, and the corpse is portrayed by Daniel “Harry Potter” Radcliffe.

Interview: Daniel Scheinert, Daniel Kwan Open a ‘Swiss Army Man’

CHICAGO – In what truly must be one of the most original and odd ideas for a movie in awhile, “Swiss Army Man” is opening in Chicago this week, and features Daniel “Harry Potter” Radcliffe as a dead corpse that helps a man survive. This scenario was concocted by writer/directors Daniel Scheinert and Daniel Kwan.

Film Review: ‘10 Cloverfield Lane’ is a Dull Detour to a Dead End

CHICAGO – With “10 Cloverfield Lane,” Producer J.J. Abrams attempts a classic bait and switch on his audience. The name and the tagline suggest a connection to Abrams found footage monster movie, 2008’s “Cloverfield.” But in all honesty, this film has very little to do with the events of that movie.

Film Review: Meet the Press in Illuminating ‘Kill the Messenger’

Kill the Messenger

CHICAGO – When journalists were heroes and exposed those in power for their sins, movies were made like “All the President’s Men.” Gary Webb of the San Jose Mercury News was one of those journalist heroes during the 1990s, but he wasn’t celebrated in his time. The indictments, induced paranoia and outright lies against him are distinctly chronicled in the luminary “Kill the Messenger.”

Interview: Director Michael Cuesta on Issues in ‘Kill the Messenger’

CHICAGO – What happens when too much truth is exposed, and those who will feel the backlash from that exposure are too powerful? The new film “Kill the Messenger,” directed by Michael Cuesta, seeks an answer to that question through the true story of journalist Gary Webb, a victim of his own investigative reporting.

HollywoodChicago.com Hookup: 50 Pairs of Passes to ‘Kill the Messenger’ With Jeremy Renner

CHICAGO – In the latest HollywoodChicago.com Hookup: Film, we have 50 pairs of advance-screening movie passes up for grabs to the new dramatic thriller “Kill the Messenger” starring Jeremy Renner based on the remarkable true story of Pulitzer Prize-winning journalist Gary Webb!

Film Review: Hilarious Cast Elevates Mediocre ‘A.C.O.D.’

ACOD
HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – The incredibly talented men and women who make up the cast of “A.C.O.D.” make the relative failure of its script easier to bear. Just hearing brilliant actors like Richard Jenkins and Catherine O’Hara at each other’s throats or watching remarkably likable stars like Adam Scott and Mary Elizabeth Winstead figure out their relationship has enough charm to get one from lights down to credits roll. And the first hour of “A.C.O.D.” is pretty damn funny, allowing one to hope that it will develop into something truly memorable. For some reason, the theme of Sundance comedies this year (“In a World…,” “Afternoon Delight,” and this one) is non-endings as “A.C.O.D.” can’t follow through on its clever set-up.

HollywoodChicago.com Hookup: 50 Pairs of Passes to ‘A.C.O.D.’ with Adam Scott, Amy Poehler

CHICAGO – In the latest HollywoodChicago.com Hookup: Film with our unique social giveaway technology, we have 50 pairs of advance-screening movie passes up for grabs to the new comedy “A.C.O.D.” (“Adult Children of Divorce”) starring Adam Scott!

HollywoodChicago.com Hookup: Handpicked by Chicago Critics, 30 Pairs of ‘The Spectacular Now’ Tix

CHICAGO – HollywoodChicago.com hooks you up to see the very best movies (large and indie) for free before anyone else can. While we’ve been doing that since 2008, in this rare Hookup we offer up advance-screening tickets to a film that has been specifically handpicked by Chicago film critics.

DVD Review: Great Performances Anchor Smart Drama of ‘Smashed’

Smashed

CHICAGO – I’m upset I didn’t see “Smashed” in time to produce my year-end lists for 2012 (Sony Pictures Classics inexplicably never sent a screener and I missed it in theaters). Mary Elizabeth Winstead’s stellar lead performance and Aaron Paul’s pitch-perfect support would have been included in both of my performance pieces. They’re so good here, balancing the truth of youthful addiction in ways that we rarely see in film.

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