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Manu Bennett

TV Review: B-Movie Take on Legendary Hero Thrills in Starz’s Bloody Hit ‘Spartacus: Vengeance’

CHICAGO – “Let us split darkness with the cries of Romans.” Boobs, blood, and betrayal — “Spartacus” must be back. Following up on the action of the beloved “Spartacus: Blood and Sand” and coming on the heels of the most critical acclaim in the history of the network (“Boss”), Starz hopes to keep momentum going with the well-made if ridiculous “Spartacus: Vengeance.”

TV Review: ‘Spartacus: Gods of the Arena’ Delivers Bloody Goods

CHICAGO – It’s mere minutes into “Spartacus: Gods the Arena” before men are being decapitated and women are flashing their breasts. With all the self-serious junk on right now, it’s nice to have Starz’s biggest hit back.

Blu-Ray Review: Guilty Pleasures of ‘Spartacus: Blood and Sand’

Spartacus: Blood and Sand

CHICAGO – “Spartacus: Blood and Sand” is a ridiculous program, a mix of pretentious dialogue that thinks its more important than it is, elaborate battle sequences shot in slo-mo to hide the show’s budget, and historical inaccuracies on an epic scale. And yet it’s also remarkably enjoyable. It’s a guilty pleasure program that has developed a rabid following on Starz and should put the network on the map when it comes to original series with the help of an excellent Blu-ray release for the first season.

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TV, DVD, BLU-RAY & THEATER REVIEWS

  • Kid Thing, The

    CHICAGO – Like the awesome Engine Who Could, the mighty Nothing Without a Company stage crafters have constructed another triumph at their new home in Berger Mansion on Chicago’s north side. “The Kid Thing” – written by Sarah Gubbins – is a terse, convincing and emotional play about fear, identity and breeding, and it is performed by its cast of five with utter authenticity. The show has a Thursday-Sunday run at the Berger North Mansion through April 15th, 2017. Click here for more details, including ticket information.

  • Wiz, The

    CHICAGO – When stage theater can cause outbreaks of elation, celebration and joy, then it must be due to Kokandy Productions’ revival of “The Wiz.” The urban reinterpretation of “The Wizard of Oz” story – told through tuneful euphoria and jubilant dance – is ecstatically produced, in every morsel of its stagecraft.

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