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Mahershala Ali

Film News: Freaky Oscar Ending Eclipses ‘Moonlight’ Win

CHICAGO – And the winner was… a wild and bizarre ending to the 89th Academy Awards, as Best Picture presenters Warren Beatty and Faye Dunaway were given a wrong envelope, resulting in a call of “La La Land” as top movie, but after an on-stage melee, it was further revealed that the Best Picture was actually “Moonlight.”

Film Review: Brainiac Fulfillment is the Key to ‘Hidden Figures’

CHICAGO – In America, there is the history we have, and the history that we want to have happened. “Hidden Figures” falls into the second category, but it’s presented in such a way that it fulfills the goal – tell an amazing story about a group of African American women who helped launch men into space.

Film News: Chicago Film Critics Association Names ‘Moonlight’ as 2016 Best Picture


CHICAGO – The poignant identity film “Moonlight” was named the 2016 Best Picture by the Chicago Film Critics Association (CFCA), in an announcement on December 15th. The film also took home the Best Director (Barry Jenkins) and Best Supporting Actor (Mahershala Ali) honors. “Manchester by the Sea” got the most honors, with four, from a voting survey of the CFCA.

Interview: Actor André Holland is Rising in ‘Moonlight’

CHICAGO – While the name André Holland may not be familiar, the actor’s consummate approach to his craft is unforgettable. Specializing in character parts, Holland has raised his profile in such movie hits as “Selma” and “42,’ and on television recently with “The Knick” and “American Horror Story.” His latest film is “Moonlight.”

Interview: Naomie Harris, from Moneypenny to ‘Moonlight’

CHICAGO – The career of actress Naomie Harris has exploded, mostly due to a choice role of Moneypenny in the James Bond film series, beginning with 2012’s “Skyfall” and bookended in the recent “Spectre” (2015). But she also displays deep acting chops in the new film “Moonlight,” portraying a mother hopelessly lost in drug abuse.

Interview: Barry Jenkins & Tarell McCraney of ‘Moonlight’

CHICAGO – One of the biggest buzz releases of recent weeks is the brilliant new film “Moonlight,” directed by Barry Jenkins, from a story by Tarell McCraney. The narrative, structured in three parts of one boy-to-man’s life, is an emotional journey that connects to important empathy and a vital passionate heart.

Film Review: Redemptive & Emotional Journey Dances in ‘Moonlight’

CHICAGO – We are all victims of our own circumstances. How we interact with this circumstance, given our DNA, social nurturing, family and relationship ties are thrown in the air like organic confetti, landing here and there, and often in smaller and smaller pieces. “Moonlight” is a film full of this absolution.

Film Review: Social History is Revitalized in ‘Free State of Jones’

CHICAGO – The United States is still fighting the Civil War, which ended in 1865. The rebellious South has never completely given away its anger and sorrow for the changes the war has wrought on them. These larger themes are examined historically in the new film, “Free State of Jones.”

Film Review: Grim Conclusion for ‘The Hunger Games: Mockingjay - Part 2’

CHICAGO – This has to be what the filmmakers intended when they split the final book of the “Hunger Games” series into two films. While “The Hunger Games: Mockingjay - Part 1” was all set up, Part 2 doesn’t just lead up to a huge climax.

Film Review: Crime, Fatherhood Intersect in ‘The Place Beyond the Pines’

CHICAGO – Derek Cianfrance’s masterful “The Place Beyond the Pines” is a complex, epic piece of storytelling about the ripple effect of crime through families and across generations. Drastic action does not exist in a vacuum. It influences generations below and those impacted by their parent’s decisions.

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  • Speech & Debate (stage play)

    CHICAGO – “Speech & Debate,” the latest production from the mighty Brown Paper Box Company, continues their tradition of thinking outside that “box” in presenting storefront theater that makes a statement and a difference. “Speech” goes inside America by showcasing the outsiders… those who create art because they can’t get it right in real life. This non-equity Chicago stage play premiere is finely tuned and wonderfully acted, and runs through March 4th, 2018. Click here for more details, including ticket information.

  • We're Gonna Be Okay

    CHICAGO – The 1960s were a time of historical social transition. The movements – civil rights, feminist, gay rights – all had roots in that tumultuous decade. The Chicago premiere of Basil Kreimendahl’s “We’re Gonna Be Okay” echoes all of those movements in its characters, and collides them against the October 1962 Cuban Missile Crisis. The show has a Thursday-Sunday run at the American Theater Company through March 4th, 2018. Click here for more details, including ticket information.


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