CHICAGO – The venerable musical “The King and I,” by the legendary team of (Richard) Rodgers and (Oscar) Hammerstein, is now 65 years old. The Lyric Opera of Chicago is injecting fresh life into this senior aged play, with a sumptuous new production that is top drawer at every level.
CHICAGO – In the latest HollywoodChicago.com Hookup: Film, we have 50 pairs of advance-screening movie passes up for grabs to the Sundance Film Festival and Telluride Film Festival hit “Viva”! Shot entirely in Havana, the film was directed by an Irish director and was Ireland’s official Oscar entry last year!
CHICAGO – Hot off the PERFECT SCORE review for (click the title) The First Monday in May comes a fashion event at the historic Music Box Theatre in Chicago, on April 21st, 2016, It will be the first time the theatre will host a fashion show – in conjunction with a screening of the film – and it will be curated by Elle Val, an online Chicago boutique.
CHICAGO – The moral of the story of “The First Monday in May” definitely is “there is heaven on earth if the right angels come together.” The film is stunningly beautiful, as it chronicles the development of the annual costume exhibit and gala at the New York Metropolitan Museum of Art.
CHICAGO – In the latest HollywoodChicago.com Hookup: Film, we have 50 pairs of advance-screening movie passes up for grabs to the new fashion exhibition documentary “The First Monday in May” about The Metropolitan Museum of Art’s most attended exhibition in history!
CHICAGO – Feel like a French film? Well, “My Golden Days” is just the ticket. Full of existential romance, too many cigarettes, casual carnality and pathological regret, the story should come with its own beret and baguette.
CHICAGO – There is a tremendous excitement when a fresh director voice is realized, and writer/director/actor Benjamin Dickinson is one such discovery. His feature film debut is ‘Creative Control’ – which like previous futuristic films ‘Ex Machina’ and ‘Her’– explores sex and relationships through our technological evolution.
CHICAGO – Last year, we witnessed the American disaster porn of “San Andreas,” an overwrought attempt to destroy California on film. Norway has an entry into the disaster genre – “The Wave” – and unlike the American special effects pile-on, it’s based on real possibilities, and features a family that won’t give up or give in.
CHICAGO – Humanity and war simply do no mix. You could have the biggest guns, the most powerful bombs and the greatest army, but you’re also going to eliminate innocent lives, and affect those soldiers who do the killing. This topic is pungently realized in the Danish film “A War.”
CHICAGO – It’s original, it’s off-kilter, it’s different – it’s the new film “Entertainment.” Rick Alverson has fashioned a road picture, with an offbeat stand up comic trying to get home. The director has some fiery talent behind that journey, including Gregg Turkington as The Comedian, John C. Reilly, Michael Cera and Tim Heidecker.
Interview: Director Douglas Tirola on ‘Drunk Brilliant Stoned Dead: The Story of the National Lampoon’Submitted by PatrickMcD on October 19, 2015 - 11:13am
CHICAGO – Before the days of 24/7 internet access to every form of entertainment that exists, there were eras of radical performance expression that changed the landscape of attitudes toward everything – think of The Beatles evolving music and also changing social culture. The roots of another evolution, especially in comedy, began with a modest humor magazine that brought together the right mix of anarchists and misfits. What they did would influence comedy for years afterward, and their story is told in “Drunk Stoned Brilliant Dead: The Story of National Lampoon,” directed by Douglas Tirola.