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Blu-ray Review: Madonna’s ‘W.E.’ Fails to Explore Its Alleged Subject

W.E. Blu-ray

CHICAGO – Madonna’s “W.E.” completes a trilogy of lackluster Oscar bait released last year by the Weinstein Company. Each film squandered potentially fascinating subject matter by upstaging it with pointless framing devices. Imagine if the majority of “Titanic” followed Bill Paxton on his self-centered quest for the diamond. That would surely have amounted to the most boring three-hour epic in history.

Film Review: ‘W.E.’ is Decent Directorial Effort From Madonna


CHICAGO – It’s easy sport to disregard a director when the name attached to that title is Madonna, the famous pop star. “W.E.” is a story about fame in another era, and Madonna’s understanding about fame in general – and its dark underside – actually made her the right choice to handle such a story.

DVD Round Up: IFC Films Releases Wave of Interesting Art Films


CHICAGO – I love IFC Films. They release such a diverse, interesting slate of films every year that one never quite knows what they’re going to get with each individual offering. Five recent IFC titles are the subject of the latest DVD Round-Up, our regular column drawing attention to titles that may have otherwise gone unnoticed.

Actors Awkwardly Impersonate Marilyn Monroe, Charlie Chaplin in ‘Mister Lonely’

CHICAGO – The wonder of a filmmaker’s art and perspective is the ability to challenge and reflect the absurdity of our own nature back to us. Few filmmakers have done more to add provocation to that sensibility than Harmony Korine.

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  • Sherlock Holmes with David Arquette (teaser)

    CHICAGO – Different isn’t bad and might be great, but you’d better have an irrefutable reason to change what was never broken. Campy being the only word to accurately convey this alternate-reality version of Sherlock Holmes with an original script, writer Greg Kramer and director Andrew Shaver try too hard to be different without ever figuring out why.

  • Merry Widow, The

    CHICAGO – Standing up at the Lyric Opera house in Chicago is unusual before a show. But in this case, it was the night after a tragedy, and the operetta “The Merry Widow” – set in Paris, France, in 1905 – was about to unfold. The orchestra struck up La Marseillaise, a reminder that we’ll always have Paris.


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