Looming over “Bad Words” is the potential it could have had, as is, were it released ten years ago. With its focus of R-rated behavior poking at the projected innocence of children, along with the couple of chromosomes that keep Bateman’s Trilby from being a Vince Vaughn character, this movie is certainly a product of the comedies that have sculpted out the manchild story in the past decade.
CHICAGO – Madonna’s “W.E.” completes a trilogy of lackluster Oscar bait released last year by the Weinstein Company. Each film squandered potentially fascinating subject matter by upstaging it with pointless framing devices. Imagine if the majority of “Titanic” followed Bill Paxton on his self-centered quest for the diamond. That would surely have amounted to the most boring three-hour epic in history.
CHICAGO – It’s easy sport to disregard a director when the name attached to that title is Madonna, the famous pop star. “W.E.” is a story about fame in another era, and Madonna’s understanding about fame in general – and its dark underside – actually made her the right choice to handle such a story.
CHICAGO – I love IFC Films. They release such a diverse, interesting slate of films every year that one never quite knows what they’re going to get with each individual offering. Five recent IFC titles are the subject of the latest DVD Round-Up, our regular column drawing attention to titles that may have otherwise gone unnoticed.
CHICAGO – The wonder of a filmmaker’s art and perspective is the ability to challenge and reflect the absurdity of our own nature back to us. Few filmmakers have done more to add provocation to that sensibility than Harmony Korine.