M. Emmet Walsh

Vodcast: Kicking the Seat Presents the Cop Drama 'Serpico' (1973)

Serpico, KICKING THE SEAT

CHICAGO – Patrick McDonald of HollywoodChicago.com appears on Ian Simmons’ Vodcast, KICKING THE SEAT, talking the 1973 Cop Drama classic, “Serpico” … it’s 50th Anniversary. Why was this particular anniversary film chosen? Because it was once parodied in MAD MAGAZINE as “Serpicool.”

Film Review: The Catholic Priest on the Road to ‘Calvary’

Calvary

CHICAGO – The title of the film, “Calvary,” should have resonance to any guilty Catholic out there, and yet the loaded word can’t deliver the truth that the film seeks. Brendan Gleeson gives an astonishing performance as a conflicted priest, but the material he has to work with is not up to his portrayal.

Film Review: ‘The Odd Life of Timothy Green’ Misses Emotional Connection

CHICAGO – Peter Hedges’ “The Odd Life of Timothy Green” has a warm, gooey center that’s admirable in a family movie way but what’s around it can’t hold together as the lack of focus in the narrative and the rather grating performance from the young man playing its title character causes it to annoy more than entertain.

Blu-Ray Review: Coen Brothers Hit HD With Four of Their Best

Coen Brothers Collection

CHICAGO – Few directors have ever kickstarted their career more confidently than Joel and Ethan Coen. And they did it with such an array of genre and subject matter from the gritty noir of “Blood Simple” to the subversive comedy of “Raising Arizona” to the gangster epic “Miller’s Crossing” to the heavily-symbolic drama “Barton Fink” to the whimsical charmer “The Hudsucker Proxy” and head-first into one of the best movies ever made — “Fargo.” Four of their first six films have been collected in the “Coen Brothers Collection” and while Fox was, very sadly, only able to send over one of them individually, we didn’t want this stellar collection to go unmentioned.

Blu-Ray Review: ‘Don McKay’ Fails to Evoke the Coen Brothers’ Spirit

Don McKay Blu-Ray

CHICAGO – The Duplass Brothers recently told me that they avoid making movies blatantly modeled after the work of other filmmakers because they often end up “derivative and bad.” Jake Goldberger’s debut feature “Don McKay” is living proof of this principle. It is a monumentally awkward rip-off of the debut feature from the most well-known filmmaking team of brothers in modern cinema.

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