M

CHICAGO – Horror writers and directors have been afraid of the dark since the start of the genre. Sadly, that fear of blackness has never translated to film as successfully as one would hope. There’s an inherent problem in watching a movie about darkness in that it can never make that fear fully real unless it goes to complete black screen. The latest entry in this flawed subgenre is Brad Anderson’s “Vanishing on 7th Street,” a minor work from a major director.

CHICAGO – When does a great film become less powerful? We’ve all seen movies that worked wonderfully for us at one point in our lives and had less impact when we saw them again a decade or two later. The movies that not only remain powerful but, in some ways, improve upon repeat viewing are rare. They’re the true classics. Fritz Lang’s “M,” recently released on Criterion Blu-ray, is one such movie.