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Film Review: Great Performances Drive Entertaining ‘American Hustle’

As career con man Irving Rosenfeld (Christian Bale) introduces newly-undercover FBI agent Richie DiMaso (Bradley Cooper) to his world of criminal enterprise, he shows him a Rembrandt painting in a museum, revealing that it’s a fake. Millions of people have seen and admired it, not realizing that it’s not the original. Does it matter if they get the same artistic enjoyment out of it?

Film Review: ‘Blue Jasmine’ Puts Woody Allen Back on Top

CHICAGO – The auteur Woody Allen is one of the most prolific post-studio-system directors, averaging one film a year for close to 40 years. His meditations on life have become part of the culture, and he brilliantly expresses himself once again – with help from Cate Blachett – in the emotional “Blue Jasmine.”

TV Review: FX’s ‘Louie’ Continues to Stun with Its Brilliance

CHICAGO – I’ve seen a lot of TV in the decade-plus I’ve been covering the medium (much less the decades before that when I was purely a fan) and I can very rarely say something like this — you’ve never seen anything like “Louie.” The FX hit returns tonight on the network and reclaims its title as the best comedy on TV.

TV Review: FX Comedies ‘Wilfred,’ ‘Louie’ Start New Seasons

CHICAGOFX has developed a nice comedy niche, taking greater risks than most other networks and seeing them pay off with hits like “It’s Always Sunny in Philadelphia,” “The League,” and “Archer.”

Blu-Ray Review: ‘The Invention of Lying’ Has Killer Concept

The Invention of Lying

CHICAGO – There are so many concepts and clever ideas in “The Invention of Lying,” now available on Blu-ray and DVD, thanks to Ricky Gervais’ skills as a writer that his abilities as an actor and director don’t really know what to do with them. The script for this witty comedy is interesting enough to make it worth a rental but it sometimes moves at an awkward pace and never builds like it might have with a more experienced director.

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TV, DVD, BLU-RAY & THEATER REVIEWS

  • Bad Words

    Looming over “Bad Words” is the potential it could have had, as is, were it released ten years ago. With its focus of R-rated behavior poking at the projected innocence of children, along with the couple of chromosomes that keep Bateman’s Trilby from being a Vince Vaughn character, this movie is certainly a product of the comedies that have sculpted out the manchild story in the past decade.

  • Winter's Tale

    The theatrical poster for “Winter’s Tale,” after promising that “It’s not a true story, it’s a love story,” made a large demand from its viewers at the bottom: “This Valentine’s Day, Believe In Miracles.” While there is indeed a difference between filmmaking and marketing, it is hard to not imagine writer/director Akiva Goldsman whispering “believe in miracles” into the ear of every executive who helped “Winter’s Tale” come to life, immediately after throwing glitter on them.

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