CHICAGO – It’s 3am on Saturday night/Sunday morning on August 20th, and you’re just not ready to quit. How about indulging in the 2016 “Abbie Hoffman Died for Our Sins” Theater Festival? The three-day theater marathon is in its 28th edition, and will be sponsored for the final time by the Mary-Arrchie Theatre Company, and hosted by the “Godfather of Storefront Theater,” Rich Cotovsky. It all takes place at the Den Theatre, 1333 N. Milwaukee in Chicago (details below).
CHICAGO – Ridley Scott’s “Prometheus” rides a wave of expectation, anticipation, hype, and an already-building backlash into theaters this weekend and all I have to say is something that most critics hesitate to do – you need to see this for yourself and make up your own mind.
CHICAGO – M. Night Shyamalan’s career is a morbidly fascinating train wreck. Here’s a man who seduced the mainstream viewing public and film lovers alike with the wonderful psychological drama, “The Sixth Sense,” and the enticing mystery, “Unbreakable.” Both films garnered the director a legion of devoted fans eager to see what material he would tackle next.
CHICAGO – Being a hardcore fan of anthology series like “The Twilight Zone” and “Tales From the Crypt,” the simple set-up of “Devil,” the new horror film based on a story by and produced by M. Night Shyamalan, intrigued me — five people are stuck in an elevator and one turns out to be the devil. Sadly, the concept is the only interesting thing about this horribly-executed tale from the dull side of the genre.
CHICAGO – TNT’s hit-and-miss cop drama “Dark Blue” returns tomorrow night, August 4th, 2010 with a great pair of episodes featuring the addition of the always-excellent Tricia Helfer of “Battlestar Galactica,” but the improvements aren’t merely in the supporting cast, as the first two hours of season two hint at the opposite of a sophomore slump.
CHICAGO – TNT’s “Dark Blue” has theatrical caliber production values, tight editing, and impressive action set-pieces for a TV show. It also has cliched characters, hackneyed dialogue, and plots that stretch suspension of disbelief far past the breaking point. The strong performances and crisp pacing often make the cliches easier to bear but the first season features as many missed shots as direct hits.