CHICAGO – Cinemax’s ominous new series “The Knick” is a hospital drama that’s very much in the voice of its director, Steven Soderbergh. Set in New York City at the turn of the 20th century, the series presents the medical world as it inches closer and closer to modernity, while making contemporary parallels to the desperate hustle by surgery room clients and their doctors alike regarding treatment of the human body. What has changed in the politics of medicine? What hasn’t?
CHICAGO – Ridley Scott’s “Prometheus” rides a wave of expectation, anticipation, hype, and an already-building backlash into theaters this weekend and all I have to say is something that most critics hesitate to do – you need to see this for yourself and make up your own mind.
CHICAGO – M. Night Shyamalan’s career is a morbidly fascinating train wreck. Here’s a man who seduced the mainstream viewing public and film lovers alike with the wonderful psychological drama, “The Sixth Sense,” and the enticing mystery, “Unbreakable.” Both films garnered the director a legion of devoted fans eager to see what material he would tackle next.
CHICAGO – Being a hardcore fan of anthology series like “The Twilight Zone” and “Tales From the Crypt,” the simple set-up of “Devil,” the new horror film based on a story by and produced by M. Night Shyamalan, intrigued me — five people are stuck in an elevator and one turns out to be the devil. Sadly, the concept is the only interesting thing about this horribly-executed tale from the dull side of the genre.
CHICAGO – TNT’s hit-and-miss cop drama “Dark Blue” returns tomorrow night, August 4th, 2010 with a great pair of episodes featuring the addition of the always-excellent Tricia Helfer of “Battlestar Galactica,” but the improvements aren’t merely in the supporting cast, as the first two hours of season two hint at the opposite of a sophomore slump.
CHICAGO – TNT’s “Dark Blue” has theatrical caliber production values, tight editing, and impressive action set-pieces for a TV show. It also has cliched characters, hackneyed dialogue, and plots that stretch suspension of disbelief far past the breaking point. The strong performances and crisp pacing often make the cliches easier to bear but the first season features as many missed shots as direct hits.