Looming over “Bad Words” is the potential it could have had, as is, were it released ten years ago. With its focus of R-rated behavior poking at the projected innocence of children, along with the couple of chromosomes that keep Bateman’s Trilby from being a Vince Vaughn character, this movie is certainly a product of the comedies that have sculpted out the manchild story in the past decade.
CHICAGO – Very few directors have known how to utilize a star more effectively than the way Pedro Almodovar has turned Penelope Cruz from a gorgeous face into one of our best working actresses. Just the two films she’s made recently with Pedro - “Volver” and the new-to-DVD “Broken Embraces” - would earn her that title. “Broken Embraces” may not be perfect Pedro but sub-par Almodovar is still required viewing for all cineasts.