CHICAGO – The issue of gender identity, especially for those who are born with a vagueness as to what to call themselves between/beyond boy and girl, has come front and center in the U.S., both with the legalization of gay marriage and the callous repudiation of identity by trying to pass laws dismissing it (the North Carolina “bathroom” laws). The performance companies of The Living Canvas and Nothing Without a Company is currently staging “[Trans]formation,” which presents gender identity art by six performers, who perform most of the play in the nude.
CHICAGO – If Fox Faith’s target audience was comprised of atheists, the studio might have churned out this deeply shallow thriller about religious fundamentalism. Though hate-spewing cult leaders like Fred Phelps deserve to be reviled, the vast majority of fictional films about extremism come off as profoundly simple-minded. Like Kevin Smith’s “Red State,” this picture sidesteps its provocative subject matter in favor of routine clichés.
CHICAGO – “I thought it would be interesting to write the story of the superhero who wasn’t super at all,” says writer/director James Gunn on his behind-the-scenes featurette on the underrated “Super,” an imperfect film with more than enough interesting ideas and strong performances to justify a look now that it’s on Blu-ray and DVD.
CHICAGO – Michael Rooker, who grew up in Chicago as a developing actor and had his first breakout role in the locally filmed “Henry: Portrait of a Serial Killer,” is currently featured in the audacious new film “Super,” starring Rainn Wilson and Ellen Page.
CHICAGO – A much darker cousin of Matthew Vaughn’s “Kick-Ass” by way of “Taxi Driver,” James Gunn’s “Super” is a tonally inconsistent comedy that nevertheless features one of my absolute favorite performances of the year so far and enough interesting ideas to warrant a look. If only those ideas were shaped into something a bit more coherent. “Super” could have lived up to its title.
CHICAGO – Technology has done double-edged service and disservice to the legendary Hulk superhero character from Stan Lee’s Marvel Comics.
In peering at the CGI-created ripped body of nothing remotely reminiscent of Edward Norton, the 2008 film iteration of “The Incredible Hulk” has a leg light years up on Lou Ferrigno’s character in the 1978 television series of the “The Incredible Hulk”.
CHICAGO – Poor Liv Tyler. She’s stuck in a remote vacation home with nothing but the blank-stare acting of Scott Speedman to “save” her. What’s a rock daughter who becomes an actress to do? First, she shouldn’t sign onto yet another version of the couple-in-terror cliché.
Universal Pictures on Thursday released two new high-resolution production stills for “The Incredible Hulk” as part of its 2008 preview.
Major plot spoilers surfaced on Tuesday to “The Incredible Hulk,” which stars Edward Norton and Liv Tyler.