What to Watch prides itself on often offering a wide variety of material from TV seasons to On Demand exclusives to remasters of classic flicks. Not this week. All six of the New Releases that you may be drawn to in your favorite store or on your favorite service are movies, and all released in the last 18 months. But the variety within those movies is remarkable. A Best Picture winner, action flicks, a superhero, and two indie drams that waste talented casts. Pick your favorites. Here’s how we would rank ‘em.
HollywoodChicago.com Hookup: 40 Pairs of ‘Lee Daniels’ The Butler’ Tix with Forest Whitaker, Oprah WinfreySubmitted by HollywoodChicago.com on August 11, 2013 - 9:29pm
CHICAGO – In the latest HollywoodChicago.com Hookup: Film with our unique social giveaway technology, we have 40 pairs of advance-screening movie passes up for grabs to the highly anticipated “Lee Daniels’ The Butler” starring Forest Whitaker and Oprah Winfrey!
CHICAGO – “I like you. You say what you mean.” Showtime’s brilliant new show, “Ray Donovan,” is titled after a straightshooter in a town where no one is honest; a problem solver in a place built on mountains of problems. Ann Biderman’s stunning drama (directed and produced by “Sopranos” vet Allen Coulter) is the kind of dense patchwork quilt of character and theme that separate great shows from merely good ones.
CHICAGO – Given the recent media coverage of the Boston bombings, the issue of profiling – judging a individual as suspect based on religion or appearances – is an ongoing problem. Director Mira Nair explores profiling in the context of September 11th in “The Reluctant Fundamentalist.”
CHICAGO – In the latest HollywoodChicago.com Hookup: Film with our unique social giveaway technology, we have 50 pairs of movie passes up for grabs to the advance screening of “The Reluctant Fundamentalist” starring Kate Hudson!
CHICAGO – Despite boasting the talented efforts of the always-great and tragically underrated Toni Collette, P.J. Hogan’s “Mental,” opening this weekend in Chicago, is a tonal mess. It’s a bewilderingly strange movie, the kind of thing that one might write off as being lost in translation from its Australian origin before realizing it wasn’t that funny there either.
CHICAGO – Seann William Scott (“American Reunion”) does the best work of his career in the raunchy hockey comedy “Goon,” recently released on Blu-ray and DVD. Co-written by “Superbad” writer Evan Goldberg and co-star Jay Baruchel, this is a clever little sports comedy that should find a loyal audience on the home market.
CHICAGO – Seann William Scott gives a surprisingly engaging, even sweet performance as the title character in the brutal, raunchy hockey comedy “Goon,” written by “Superbad” scribe Evan Goldberg and comedy actor Jay Baruchel. This “Slap Shot meets Fight Club” is a definite must-see for hockey fans but feels a little too slight for everyone else. Still, there’s a lot to like here, especially for those who want an interesting alternative On Demand (it’s already available there and opening in Chicago theaters today, March 30th, 2012).
CHICAGO – In the latest HollywoodChicago.com Hookup: Film with our unique social giveaway technology, we have 25 admit-two movie passes up for grabs to the advance screening of the new ice hockey comedy “Goon” starring Sean William Scott!
CHICAGO – Wes Craven’s “Scream” is one of the most influential horror films of all time. And it’s one of the best of its era. The film has held up remarkably well in the fifteen years since it was released and is a must-own for fans of the genre, especially with an extras-laden Blu-ray release timed to coincide with the upcoming April 15th release of “Scream 4.” The sequels are inferior but more worthwhile than average horror sequels. Why not own ‘em all?
CHICAGO – “Paying homage” and “ripping off” are not the same thing. A picture like Christopher Nolan’s “Inception” gathers fragments of our collective cinematic memories, and places them in an entirely fresh dreamscape of the mind. Miguel Sapochnik’s “Repo Men” assembles pieces of other movies and claims them as its own creation. The film opens like “Blade Runner,” ends like “Brazil,” and looks suspiciously like plagiarism.