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Liam Neeson

Film Review: ‘Third Person’ an Intriguing Yet Foreseeable Labyrinth

Third Person

CHICAGO – Don’t you hate it when you figure out where a film is going long before it gets there? That could be a problem with “Third Person,” but writer/director Paul Haggis (“Crash”) also adds enough secrets to chew on and enough multiple pathways to explore. Enter at your own risk.

Interview: Writer/Director Paul Haggis Creates ‘Third Person’

CHICAGO – Not many Oscar winning screeenwriters change the course of their professional lives because of a dream (story below), but Paul Haggis is an exceptionally brilliant writer whose credits include “Crash” (2005) and “Million Dollar Baby” (2004) – which both won Best Picture – and his new film, “Third Person.”

Blu-ray Review: ‘Non-Stop’ Has Formulaic Script But Fresh Thrills

Non-Stop

CHICAGO – “Non-Stop” gave audiences more than just “‘Taken’ on a plane” when it opened last February, and showed that the inflight experience is efficiently vulnerable action thriller territory. With audiences having taken a break from commercial airline chaos after 9/11, “Non-Stop” brought viewers back into the peril of an unsafe flight, but with a leading hero by Liam Neeson at the helm. Nevertheless, even when knowing how the flight ends, “Non-Stop” is a refined thriller that still has a grip on one’s attention in a second viewing as well.

Blu-ray Review: Kevin Costner Actioner ‘3 Days to Kill’ is Slick, Forgettable

3 Days to Kill

CHICAGO – “3 Days to Kill” is a bit like “Taken,” in that it was co-created by French action maestro Luc Besson, but directed by somebody else. However, it is indeed not like “Taken” in that this movie never roars out of the gate, which is also about a multi-tasking American dad abroad looking for answers as a clock ticks.

Film Review: ‘A Million Ways to Die in the West’ Suffers Because Seth MacFarlane Casts Himself

CHICAGO – A feature-length comedy is a daunting undertaking. But being consistently funny for 2 straight hours is like climbing Mount Everest blindfolded with no arms while taking selfies using your feet.

Film Review: ‘A Million Ways to Die in the West’ Goes in All Directions

CHICAGO – Two observations regarding Seth MacFarlane. One, he is a hilarious writer and voiceover talent. Two, he isn’t as good as a comic leading man, on screen and in live action. Those two elements clash brightly in the overlong but funny “A Million Ways to Die in the West.”

HollywoodChicago.com Hookup: 25 Pairs of Passes to Seth MacFarlane’s ‘A Million Ways to Die in the West’

CHICAGO – In the latest HollywoodChicago.com Hookup: Film, we have 25 pairs of advance-screening movie passes up for grabs to the highly anticipated new comedyA Million Ways to Die in the West” starring Seth MacFarlane (“Ted”), Charlize Theron and Liam Neeson!

Film Review: Liam Neeson Can’t Bring ‘Non-Stop’ in On-Time

I’m a sucker for a well-toasted slice of escapism that employs a singular setting to maximum impact. Liam Neeson trapped on a plane with a devious killer who’s trying to extort $150 million from him? Where do line up to buy a ticket? Seriously, this is the kind of Oscar counter-programming that I love this time of year—turn off your mind and take a trip with “Non-Stop”.

HollywoodChicago.com Hookup: 25 Pairs of Passes to ‘Non-Stop’ with Liam Neeson

Non-Stop with Liam Neeson

CHICAGO – In the latest HollywoodChicago.com Hookup: Film with our unique social giveaway technology, we have 25 pairs of advance-screening passes up for grabs to the new suspense thrillerNon-Stop” starring Liam Neeson and Julianne Moore!

Film Review: Big Laughs Await in Sly, Fun ‘The LEGO Movie’

CHICAGO – The funniest movie in a long while features no human beings, just animated bland faces among interlocking plastic bricks, the toys which inspired the film. “The LEGO Movie” never takes itself seriously, which means huge laughs for the audience.

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  • Bad Words

    Looming over “Bad Words” is the potential it could have had, as is, were it released ten years ago. With its focus of R-rated behavior poking at the projected innocence of children, along with the couple of chromosomes that keep Bateman’s Trilby from being a Vince Vaughn character, this movie is certainly a product of the comedies that have sculpted out the manchild story in the past decade.

  • Winter's Tale

    The theatrical poster for “Winter’s Tale,” after promising that “It’s not a true story, it’s a love story,” made a large demand from its viewers at the bottom: “This Valentine’s Day, Believe In Miracles.” While there is indeed a difference between filmmaking and marketing, it is hard to not imagine writer/director Akiva Goldsman whispering “believe in miracles” into the ear of every executive who helped “Winter’s Tale” come to life, immediately after throwing glitter on them.

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