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Liam Neeson

Film Review: ‘Silence’ is an Overwrought View of Religious Faith

CHICAGO – For gosh sakes, someone call the Vatican and make Marty Scorsese an honorary priest. He is overtly fascinated – in this work and his other films – with the notion of religious faith, particular within his Catholic roots. He approaches the subject again in the intense “Silence.”

Film Review: Fantasy & Feelings Comingle in ‘A Monster Calls’

Monster Calls, A

CHICAGO – The nature of dying, especially in process with a close loved one, is a testing ground for unwieldy and alien emotions. When, why and how we’re challenged does not have a timetable, nor a convenience. All of this is played out as fantasy in the vital “A Monster Calls.”

Film Review: ‘The Huntsman: Winter’s War’ is a Bloated Bore

CHICAGO – This new Hollywood fairy tale does have one thing in common with the bedtime stories of old…it may lull you to sleep in the first 30 minutes. “The Huntsman: Winter’s War” is a special effects extravaganza where the effects aren’t special, the story is thin, and almost all the actors seem to have been allowed or even encouraged to indulge their worst impulses.

Film Review: ‘Ted 2’ is a Funnier Film Than it Deserves to Be

CHICAGO – While it’s cruder and it can’t quite match the original “Ted,” “Ted 2” is still funnier than it has any right to be. It is unmistakably a Seth MacFarlane production, and there are a million reasons why this movie shouldn’t work, chief among them a plot that attempts to plop a foul mouthed talking teddy bear into a moralistic legal parable about civil rights. But I can’t deny I laughed throughout, almost despite myself.

Interview: Director Pierre Morel on Sean Penn, Liam Neeson & His Latest ‘The Gunman’

Pierre Morel of 'The Gunman,' photo by Patrick McDonald

CHICAGO – There were basically two careers for Pierre Morel, before he directed the mega-hit “Taken,” starring Liam Neeson, and afterward. The French-born cinematographer, camera operator and now director is releasing “The Gunman,” an action film that stars Sean Penn. Like “Taken,” the motivations for the action are based in the real world, and “The Gunman” travels to Africa, London and Barcelona on his way to redeeming his soul.

Film Review: Ramshackle, Rickety ‘Taken 3’ is Far Too Predictable

CHICAGO – “Taken 3” is more a brand extension than a movie. Seven years after “Taken” turned Liam Neeson into an unlikely action star, “Taken 3” shows this series has completely run out of gas. The novelty of the hulking Oscar-nominee beating bad guys to a pulp wore off a long time ago.

HollywoodChicago.com Hookup: 10 ‘A Million Ways to Die in the West’ Blu-ray Combo Packs

CHICAGO – In our latest HollywoodChicago.com Hookup: Combo Pack giveaway, we have 10 free Blu-ray and DVD combo packs up for grabs for the home entertainment release of the comedyA Million Ways to Die in the West” with Seth MacFarlane and Charlize Theron!

Film Review: ‘A Walk Among the Tombstones’ Solidifies Desire for Liam Neeson to Be Your Dad

CHICAGO – I don’t know about your dad, but mine – love him as I do – isn’t Jason Bourne, James Bond or Bryan Mills. At the age of 62, Liam Neeson somehow still kicks ass as Bryan Mills in “Taken” and fans everywhere love riding every minute of his butt-kicking thrill rides.

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TV, DVD, BLU-RAY & THEATER REVIEWS

  • Adam West, LIFE Magazine

    CHICAGO – As they say about Adam West’s interpretation of Batman, “he hit so hard, that words describing the impact appeared out of thin air.” But there was more to him than just the superhero tights, as Patrick McDonald, Spike Walters and Jon Espino of HollywoodChicago.com remember the three main characters in the career of Adam West, who passed away last week.

  • Jeff Awards, 2017

    CHICAGO – The 44th edition of the Non-Equity Jeff Awards were given out on June 5th, 2017, at what insiders call “the theater prom.” The event honors the non-union smaller or “storefront” theater companies, and their efforts to produce quality stage work. Hosted in grand style by Alexis Roston and Lillian Castillo, the recipients of the top play was “At the Table” by the Broken Nose Theatre and top musical was “High Fidelity” by the Refuge Theatre Project.

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