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Lee Tergesen

Film Review: ‘No One Lives’ Hits Cinematic Ground with Bloody Thud

No One Lives
HollywoodChicago.com Oscarman rating: 1.5/5.0
Rating: 1.5/5.0

CHICAGO – Ryuhei Kitamura’s “No One Lives” starts off with enough grit and style that a good horror fan is likely to get their hopes up at the potential fun to come. And so the crash is even greater when that same horror fan realizes that “No One Lives” is going absolutely nowhere interesting and that the first act is its best. Kitamura has style (although it is MUCH better utilized in the underrated “Midnight Meat Train” and cult hit “Versus”) and the cast isn’t bad but the script is simply awful and the movie exists for no other reason than to highlight some nifty makeup horror effects. You can do much better.

TV Review: Great Cast But No Reason to Care About ‘Red Widow’

CHICAGO – While the broadcast networks midseason continues to set records for overall incompetence and ABC’s “Zero Hour” appears to be the latest casualty (as it was pulled from this week schedule in advance of a likely cancellation), the newest attempt to revive flatlining numbers comes in the form of ABC’s “Red Widow.”

Film Review: ‘The Collection’ Assaults Viewers with Nonsensical Gore

CHICAGO – “The Collection” is a very, very, very, very bad movie. It is really only watchable because it’s so bad. It’s one of those flicks that encourages talking or tweeting in the theater merely so you can make it enjoyable by laughing at it and not really with it.

DVD Review: ‘Generation Kill’ Defines New Face of American War

Generation Kill

CHICAGO – David Simon and Ed Burns, two of the television geniuses behind “The Wire”, turned their eyes and ears from the gang-ridden streets of Baltimore to the bullet-strewn bodies of Iraq in the incredible seven-part HBO mini-series “Generation Kill”, now available in a box set from HBO Home Video.

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  • Speech & Debate (stage play)

    CHICAGO – “Speech & Debate,” the latest production from the mighty Brown Paper Box Company, continues their tradition of thinking outside that “box” in presenting storefront theater that makes a statement and a difference. “Speech” goes inside America by showcasing the outsiders… those who create art because they can’t get it right in real life. This non-equity Chicago stage play premiere is finely tuned and wonderfully acted, and runs through March 4th, 2018. Click here for more details, including ticket information.

  • We're Gonna Be Okay

    CHICAGO – The 1960s were a time of historical social transition. The movements – civil rights, feminist, gay rights – all had roots in that tumultuous decade. The Chicago premiere of Basil Kreimendahl’s “We’re Gonna Be Okay” echoes all of those movements in its characters, and collides them against the October 1962 Cuban Missile Crisis. The show has a Thursday-Sunday run at the American Theater Company through March 4th, 2018. Click here for more details, including ticket information.

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