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Laverne & Shirley

Exclusive Portrait: Happy Days Again With Henry Winkler, Penny Marshall, Cindy Williams

Henry Winkler, photo by Joe Arce

CHICAGO – A significant reunion took play at the Hollywood Celebrities & Memorabilia Show last weekend as three of the main characters from two great sitcoms from the 1970s reunited for a class picture. Henry Winkler of “Happy Days,” plus Penny Marshall and Cindy Williams of “Laverne & Shirley” were there.

TV Review: ‘2 Broke Girls’ Poised to Make a Lot of Money For CBS

CHICAGOCBS’s “2 Broke Girls” doesn’t reinvent the formula but it certainly provides laughs within it. The new program most likely to be a consistent hit on any broadcast network makes a perfect fit on Monday nights and should work for audiences loyal to “How I Met Your Mother” and “Two and a Half Men.”

Interviews: ‘American Graffiti,’ ‘Laverne & Shirley’ at the Hollywood Celebrities Show

CHICAGO – “Where were you in ‘62?” was the tagline for the popular 1973 film “American Graffiti.” The Hollywood Celebrities Show had most of the cast there – Cindy Williams, Charles Martin Smith, Paul LeMat and Candy Clark.

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  • Knick, The

    CHICAGO – Cinemax’s ominous new series “The Knick” is a hospital drama that’s very much in the voice of its director, Steven Soderbergh. Set in New York City at the turn of the 20th century, the series presents the medical world as it inches closer and closer to modernity, while making contemporary parallels to the desperate hustle by surgery room clients and their doctors alike regarding treatment of the human body. What has changed in the politics of medicine? What hasn’t?

  • Transcendence

    CHICAGO – The Internet is for real in “Transcendence”, a B-movie with grade-A production quality, loaded with terabyte-size open-ended questions, so long as one can accept it lastly with a scientific mindset. It is a film that perceives technology to be more expansive than a box of wires and computer chips, and actualizes the expanse of the internet as limitless to the realm of spiritual.

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