CHICAGO – If you can remember the 1990s outside of childhood, you are in the glow of middle age, so congratulations. The Brown Paper Box Co. theater ensemble takes us back to those thrilling days of yesteryear with “Spike Heels,” a relationship comedy centering on the co-mingling antics of two couples, with a slight nod toward George Bernard Shaw and the play “Pygmalion” (or its musical counterpart, “My Fair Lady”).
CHICAGO – Cirque du Soleil, which began with two street performers in Quebec in 1984, has grown into a multi-million dollar enterprise with shows on every continent and seven simultaneous extravaganzas in Las Vegas. The Vegas shows make up the storyline for “Cirque du Soleil: World’s Away.”
CHICAGO – There has to be something wrong with a movie that by the end, the thought is ‘how did they get a parking spot in San Francisco?’ and ‘how much does that house cost?’ “The Guilt Trip,” with Seth Rogen and Barbra Streisand, is a dispirited exercise in wasted potential.
Exclusive Portrait: Penn Jillette of ‘Penn & Teller’ on New ‘God, No!’ Book at Chicagoland AppearanceSubmitted by PatrickMcD on July 25, 2012 - 9:41am
CHICAGO – He is one half of a brand name magic act (“Penn & Teller”), he likes to expose fraud by exclaiming “bullsh*t!” and he’s just written a book about atheism. Penn Jillette – the magician and raconteur – appeared at North Central College on July 7th in Naperville, Ill, on behalf of his book, “God, No! Signs You May Already Be an Atheist and Other Magical Tales”.
CHICAGO – HollywoodChicago.com content director Brian Tallerico speaks with WGN Radio host Bill Moller on Mar. 12, 2011 about the best programs that were canceled too soon.
CHICAGO – When we first see the chameleon named Lars (Johnny Depp), soon to be ‘Rango,’ he is doing acting voice exercises. He is basically warming up a film that is a real hoot, and has wonderful heart.
CHICAGO – One of the most provocative and unusual films this year, or any year, is an amazing production from India entitled “Kites.” American director Brett Ratner (”Rush Hour”) was so taken by this film, that he agreed to edit the original (or remix) for the U.S. presentation.