Something always felt a bit out of place for me in Martin Scorsese’s brilliant “The King of Comedy”, just released on Blu-ray for the first time. I couldn’t put my finger on it but chalked it up to it being thematically ahead of its time in its investigation of the cult of personality that defines modern entertainment.
Film Review: New ‘Romeo and Juliet’ is Almost Passable if You Haven’t Seen It, Unnecessary if You HaveSubmitted by HollywoodChicago.com on October 12, 2013 - 4:46pm
CHICAGO – When I walked out of my screening for 2013’s “Romeo and Juliet” with Hailee Steinfeld (Oscar nominated for “True Grit”) and London’s Douglas Booth (previously unknown to the U.S.), I had to remember that not everyone’s seen this story in one way or another.
CHICAGO – “ParaNorman” is not only the best animated film of 2012 by a large margin but it’s better than anything that came out last year as well. The latest stop-motion gem from LAIKA (who made another one of the best animated films of the last several years in “Coraline”) is smart, funny, scary, imaginative, and, most surprisingly of all, moving. Don’t miss it.
CHICAGO – In the latest HollywoodChicago.com Hookup: Film with our unique social giveaway technology, we have 12 admit-four family packs up for grabs for the advance movie screening of “ParaNorman” from the “Coraline” makers!
CHICAGO – Matt Reeves’ “Let Me In” was one of the most divisive choices on my ten best of 2010. I stand by it in every way, especially after checking out the great Blu-ray from Overture and Anchor Bay. With a spectacular HD transfer and some great special features, this is the best horror release of a season packed with them as the Halloween 2010 films start to hit the home format.
CHICAGO – Believing all remakes are pointless is as narrow-minded as suggesting that they’re all worthwhile. It’s not an all-or-nothing proposition. Like a fantastic cover version of an amazing song, there can be room for more than one cinematic interpretation of the same story.
CHICAGO – Anyone who’s read Cormac McCarthy’s phenomenal 2006 novel, “The Road,” has already, in a sense, seen the movie. McCarthy’s deceptively simple, mesmerizing poetry produced such vivid and unforgettable images in the minds of his readers that a cinematic adaptation seems almost redundant.
CHICAGO – The long-delayed and highly-anticipated adaptation of Cormac McCarthy’s “The Road” has moments of stark beauty and a typically fantastic lead performance from Viggo Mortensen, but the film ultimately misses its mark as a whole piece, coming off numbing its bleak, repetitive view of the end of the world instead of inspiring emotionally or creatively.