CHICAGO – It’s 3am on Saturday night/Sunday morning on August 20th, and you’re just not ready to quit. How about indulging in the 2016 “Abbie Hoffman Died for Our Sins” Theater Festival? The three-day theater marathon is in its 28th edition, and will be sponsored for the final time by the Mary-Arrchie Theatre Company, and hosted by the “Godfather of Storefront Theater,” Rich Cotovsky. It all takes place at the Den Theatre, 1333 N. Milwaukee in Chicago (details below).
PARK CITY, Utah – There are still some films to be discussed in my Sundance coverage. Here’s write-ups of “Digging for Fire,” “Entertainment,” and “Results,” which featured the return of festival-approved directors, albeit heading in different directions.
CHICAGO – In the latest HollywoodChicago.com Hookup: Film with our unique social giveaway technology, we have 40 admit-two movie passes up for grabs to the advance screening of the highly anticipated “R”-rated comedy “The Dictator” from the warped mind of Sacha Baron Cohen (“Borat,” “Brüno”)!
CHICAGO – Tony Scott will clearly never have the critical reputation of his brother Ridley (as he’ll never make a film as accomplished as “Alien” or “Blade Runner”) but he has carved out his own niche of high-caliber action films, most of them starring Denzel Washington. The team of Denzel and Tony found another hit in the runaway train movie “Unstoppable,” now available on Blu-ray and DVD, which was actually Scott’s highest domestic box office success in 12 years (and made over $160 million worldwide).
CHICAGO – “Unstoppable” plays perfectly to Tony Scott’s flashy strengths as a director. There’s no deep meaning or character-driven dialogue for him to clutter up with his style over substance aesthetic. And so the film truly works as a great slice of escapist entertainment as long as you know what to expect.
CHICAGO – If god had a vajoojoo, Judd Apatow and company think it’d taste something like smoking “Pineapple Express”. There’s no question “Pineapple Express” is ultimately a stoner film, but is it the ultimate stoner film of our decade?