CHICAGO – When faced with adversity, the best way around it is to somehow break into song. That is the feeling behind the Brown Paper Box Co.’s “Positively Present: An Uplifting Cabaret,” running April 7th and 8th at Mary’s Attic in Chicago’s Andersonville neighborhood. The event features company member Kristi Szczepanek as host, and presents song stylings by other company members, including Anna Schutz, plus some special guests. For details and ticket information, click here.
PARK CITY, Utah – There are still some films to be discussed in my Sundance coverage. Here’s write-ups of “Digging for Fire,” “Entertainment,” and “Results,” which featured the return of festival-approved directors, albeit heading in different directions.
CHICAGO – In the latest HollywoodChicago.com Hookup: Film with our unique social giveaway technology, we have 40 admit-two movie passes up for grabs to the advance screening of the highly anticipated “R”-rated comedy “The Dictator” from the warped mind of Sacha Baron Cohen (“Borat,” “Brüno”)!
CHICAGO – Tony Scott will clearly never have the critical reputation of his brother Ridley (as he’ll never make a film as accomplished as “Alien” or “Blade Runner”) but he has carved out his own niche of high-caliber action films, most of them starring Denzel Washington. The team of Denzel and Tony found another hit in the runaway train movie “Unstoppable,” now available on Blu-ray and DVD, which was actually Scott’s highest domestic box office success in 12 years (and made over $160 million worldwide).
CHICAGO – “Unstoppable” plays perfectly to Tony Scott’s flashy strengths as a director. There’s no deep meaning or character-driven dialogue for him to clutter up with his style over substance aesthetic. And so the film truly works as a great slice of escapist entertainment as long as you know what to expect.
CHICAGO – If god had a vajoojoo, Judd Apatow and company think it’d taste something like smoking “Pineapple Express”. There’s no question “Pineapple Express” is ultimately a stoner film, but is it the ultimate stoner film of our decade?