CHICAGO – Like the awesome Engine Who Could, the mighty Nothing Without a Company stage crafters have constructed another triumph at their new home in Berger Mansion on Chicago’s north side. “The Kid Thing” – written by Sarah Gubbins – is a terse, convincing and emotional play about fear, identity and breeding, and it is performed by its cast of five with utter authenticity. The show has a Thursday-Sunday run at the Berger North Mansion through April 15th, 2017. Click here for more details, including ticket information.
PARK CITY, Utah – There are still some films to be discussed in my Sundance coverage. Here’s write-ups of “Digging for Fire,” “Entertainment,” and “Results,” which featured the return of festival-approved directors, albeit heading in different directions.
CHICAGO – In the latest HollywoodChicago.com Hookup: Film with our unique social giveaway technology, we have 40 admit-two movie passes up for grabs to the advance screening of the highly anticipated “R”-rated comedy “The Dictator” from the warped mind of Sacha Baron Cohen (“Borat,” “Brüno”)!
CHICAGO – Tony Scott will clearly never have the critical reputation of his brother Ridley (as he’ll never make a film as accomplished as “Alien” or “Blade Runner”) but he has carved out his own niche of high-caliber action films, most of them starring Denzel Washington. The team of Denzel and Tony found another hit in the runaway train movie “Unstoppable,” now available on Blu-ray and DVD, which was actually Scott’s highest domestic box office success in 12 years (and made over $160 million worldwide).
CHICAGO – “Unstoppable” plays perfectly to Tony Scott’s flashy strengths as a director. There’s no deep meaning or character-driven dialogue for him to clutter up with his style over substance aesthetic. And so the film truly works as a great slice of escapist entertainment as long as you know what to expect.
CHICAGO – If god had a vajoojoo, Judd Apatow and company think it’d taste something like smoking “Pineapple Express”. There’s no question “Pineapple Express” is ultimately a stoner film, but is it the ultimate stoner film of our decade?