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Kenneth Johnson

Blu-Ray Review: ‘V: The Complete Second Season’ Fails to Save Sci-Fi Reboot

V The Complete Second Season Blu-Ray

CHICAGO – After two increasingly rocky seasons, ABC’s soulless reboot of Kenneth Johnson’s ’80s miniseries and subsequent TV show “V” was finally cancelled. It ended the sci-fi serial on a tragic cliffhanger that was very much in keeping with the show’s status as a muddled downer. Though some fans have signed petitions to get the show renewed on a different network, it’s doubtful that “V” will garner a large audience outside of Comic Con conventions.

TV Review: Maria Bello is Best Reason to Interrogate ‘Prime Suspect’

CHICAGO – Watching the premiere of NBC’s “Prime Suspect” again, I was struck by something undeniable — this feels like a TNT show. Yes, we’ve officially reached the point where basic cable is influencing network TV more than the other way around.

Blu-Ray Review: ‘V: The Complete First Season’ Exploits Modern Paranoia

V: The Complete First Season Blu-Ray

CHICAGO – Why do so many modern TV dramas fail? I suspect that part of the reason lies in the fact that a lot of these shows bend over backwards to be a major television event before they’ve earned that right. They cloak themselves in faux commentary merely so they can become mechanical fodder for water cooler discussion the morning after. That’s why the vast majority of new TV dramas might as well be called, “The Event.”

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TV, DVD, BLU-RAY & THEATER REVIEWS

  • Book of Merman, The

    CHICAGO – One potential theater-goer loves the “The Book of Mormon.” The other would rather stay home and watch old Ethel Merman YouTube videos. Pride Films & Theater offers the ultimate solution by combining both in a campy musical, “The Book of Merman.” Yep, two Elder characters from The Church of Jesus Christ of Latter-Day Saints meets foghorn singer Ethel Merman.

  • Men, Women & Children with Kaitlyn Dever

    CHICAGO – In “Men, Women & Children,” director Jason Reitman not-so-audaciously reflects onto viewers their world of silent screens and awkward impersonal interactions. As many stories (“Don Jon,” “Disconnect”) have taken on the torch of showing how we are, gasp! — connected to the world yet disconnected from those close to us — Reitman’s tale is just another one for the batch.

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