We’re back! Did you survive the Oscars? Are you looking for something to watch on Blu-ray, DVD, or streaming service? We have a few options for you released right at the end of February or the beginning of March, including a couple great animated shows, a Best Picture nominee, an FX sitcom, and a mega-blockbuster. Pick your favorites. All five are worth a look.
CHICAGO – The third season of “Community” was more inconsistent than the brilliant second but it still featured some of the smartest writing and best performances on network TV. I think the writers lost sight of some of their characters in pursuit of concept over substance at times but has there been a modern show that was more unpredictable than this one? You never know where they’re going to go, what they’re going to reference, or how far they’re going to take their concepts.
CHICAGO – Leave it to the writers of “Community,” one of the best shows on television, to take TV lemons and make a tasty comedy beverage out of them. After being forced into hiatus by a network that has never known how to support or promote it, “Community” is finally back on Thursday nights, pushing “30 Rock” to the spot formerly occupied by the done-for-the-season “Up All Night.”
CHICAGO – Todd Phillips has huge balls. Never before has a sequel hit SO many of the exact same beats as its predecessor. More of a remake of the film that came before than most slasher franchises, “The Hangover Part II” is the definition of more of the same. You can see Phillips going through the motions — they liked the first one, let’s give it to ‘em again with a bit of Thai flavor and more Ken Jeong. The result is a film that feels remarkably familiar with a few laughs, some decent comedic chemistry, and some daring humor, but a work that just reeks of lazy filmmaking.
CHICAGO – The second season of “Community” was a daring display of creativity without concern. It really felt like the producers of the show had been so freed by the fact that the nearly-canceled comedy was still on the air that they completely gave up on trying to please anyone but the program’s loyal fans. It was a show that didn’t “play” to anyone, never going for the easy, predictable joke as is common in the world of the sitcom. It was dark, clever, edgy, and unpredictable. And it was one of the best sitcoms of 2010-2011. Where does it go now? What will the third season of “Community” be like? Will it slide in quality? Maintain? Could it possibly get better?
CHICAGO – The program most unforgivably missing from Sunday’s Emmy telecast is NBC’s brilliant comedy “Community.” It’s almost as if the Academy decided there were too many NBC shows at the party (“The Office,” “Parks and Recreation,” “30 Rock”) and so left out arguably the best of the Thursday night bunch. See the second season, now available on DVD, and see the level of Emmy injustice for yourself.
CHICAGO – Not being familiar with the Kevin James filmography really helped in assessing his latest, “Zookeeper.” His appeal is very evident, and the filmmakers do some funny bits with the old “talking animal” routine.
Update: 11:17 a.m. on June 24, 2011 (added an additional 30 admit-two passes!)
CHICAGO – In our latest blockbuster edition of HollywoodChicago.com Hookup: Film, we have 60 admit-two movie passes (increased from 30 admit-twos due to high demand!) plus three prize packs up for grabs to the highly anticipated new film “Transformers: Dark of the Moon”!
CHICAGO – Business and creative people go together as well as fine wine at a burger joint. Riding on the heels of the monumentally profitable “The Hangover,” the brass win out over the artists in “The Hangover Part II”.
CHICAGO – NBC’s “Community” continues to climb the charts of what must be considered the most creative programs on television with a brilliant Christmas episode tonight inspired by the Rankin-Bass stop-motion animated classics like “Rudolph the Red-Nosed Reindeer” and “Frosty the Snowman.”
CHICAGO – Holiday shopping season always inspires studios to try and find new ways to market their most successul films. If people loved a movie enough to buy it once, maybe they’ll buy it again with a few new special features and collectibles. Such is how we end up with releases like “The Hangover: Extreme Edition,” a cash grab that seems awfully quick considering most people probably bought the original Blu-ray less than a year ago. This is for hardcore fans only.