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Ken Howard

Film Review: Inauthentic ‘The Judge’ Guilty of a Stale Confrontation

CHICAGO – Here comes “The Judge,” here comes “The Judge.” That 1960s catchphrase gets new meaning in the film featuring Robert Downey Jr. and veteran Robert Duvall, in a angry generational face-off that makes little sense and provides a stiff courtroom drama that felt like bad TV.

Film Review: Hilarious Cast Elevates Mediocre ‘A.C.O.D.’

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – The incredibly talented men and women who make up the cast of “A.C.O.D.” make the relative failure of its script easier to bear. Just hearing brilliant actors like Richard Jenkins and Catherine O’Hara at each other’s throats or watching remarkably likable stars like Adam Scott and Mary Elizabeth Winstead figure out their relationship has enough charm to get one from lights down to credits roll. And the first hour of “A.C.O.D.” is pretty damn funny, allowing one to hope that it will develop into something truly memorable. For some reason, the theme of Sundance comedies this year (“In a World…,” “Afternoon Delight,” and this one) is non-endings as “A.C.O.D.” can’t follow through on its clever set-up.

Film Review: Leonardo DiCaprio Embodies the G-Man in ‘J. Edgar’

CHICAGO – Much of history is determined by the petty quirks and strange psychosis of “great leaders.” J. Edgar Hoover, FBI director for 48 years, worked hard to hide his very nature by squelching the nature of others – enemies, friends and perceived enemies. Leonardo DiCaprio is Hoover in “J. Edgar.”

TV Review: Drew Barrymore, Jessica Lange Give Color to ‘Grey Gardens’

Grey Gardens
HollywoodChicago.com Television Rating: 4.0/5.0
Television Rating: 4.0/5.0

CHICAGO – One of the best films of 2009 is currently playing on HBO in the original “Grey Gardens”. The film itself doesn’t quite stand up to recent accomplishments of the network like “John Adams” or “Recount” but it undeniably features the best performance of the year, including theatrical releases, in the revelatory, career-best work from Drew Barrymore.

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  • Sherlock Holmes with David Arquette (teaser)

    CHICAGO – Different isn’t bad and might be great, but you’d better have an irrefutable reason to change what was never broken. Campy being the only word to accurately convey this alternate-reality version of Sherlock Holmes with an original script, writer Greg Kramer and director Andrew Shaver try too hard to be different without ever figuring out why.

  • Merry Widow, The

    CHICAGO – Standing up at the Lyric Opera house in Chicago is unusual before a show. But in this case, it was the night after a tragedy, and the operetta “The Merry Widow” – set in Paris, France, in 1905 – was about to unfold. The orchestra struck up La Marseillaise, a reminder that we’ll always have Paris.


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