CHICAGO – The awesomeness of history loses any of its stuffiness with the incredibly fun, indeed educational show “Drunk History” from Comedy Central, its two seasons now released on DVD. Hosted by its creator Derek Waters, the show is a celebration of various historic figures and their under-appreciated true tales, as expressed by funny people narrating in the universal language of inebriation; their recounts are then reenacted by famous actors working with their given dialogue, dressed with the comic cheapness of a bloated biopic.
CHICAGO – Here comes “The Judge,” here comes “The Judge.” That 1960s catchphrase gets new meaning in the film featuring Robert Downey Jr. and veteran Robert Duvall, in a angry generational face-off that makes little sense and provides a stiff courtroom drama that felt like bad TV.
CHICAGO – The incredibly talented men and women who make up the cast of “A.C.O.D.” make the relative failure of its script easier to bear. Just hearing brilliant actors like Richard Jenkins and Catherine O’Hara at each other’s throats or watching remarkably likable stars like Adam Scott and Mary Elizabeth Winstead figure out their relationship has enough charm to get one from lights down to credits roll. And the first hour of “A.C.O.D.” is pretty damn funny, allowing one to hope that it will develop into something truly memorable. For some reason, the theme of Sundance comedies this year (“In a World…,” “Afternoon Delight,” and this one) is non-endings as “A.C.O.D.” can’t follow through on its clever set-up.
CHICAGO – Much of history is determined by the petty quirks and strange psychosis of “great leaders.” J. Edgar Hoover, FBI director for 48 years, worked hard to hide his very nature by squelching the nature of others – enemies, friends and perceived enemies. Leonardo DiCaprio is Hoover in “J. Edgar.”
Television Rating: 4.0/5.0
CHICAGO – One of the best films of 2009 is currently playing on HBO in the original “Grey Gardens”. The film itself doesn’t quite stand up to recent accomplishments of the network like “John Adams” or “Recount” but it undeniably features the best performance of the year, including theatrical releases, in the revelatory, career-best work from Drew Barrymore.