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Keir Gilchrist

Film Review: Tense Creepy Factor Along the Way for ‘It Follows’

CHICAGO – There is a particular atmosphere in “It Follows,” that stalks a viewer long after the credits recede. That is a fine legacy for a horror film, which contains symbolic elements of life itself, and some graveyard humor that breaks the agitation. Yet it also relies on the same old, same old.

TV Review: ‘United States of Tara’ Offers Showcase For Toni Collette

United States of Tara 3

CHICAGO – I’ve said for two seasons now that Showtime’s “United States of Tara” isn’t as good as it should be, partially because the writing and parts of the ensemble don’t live up to the Emmy-winning work by its stunningly talented star, Toni Collette, but I might have been wrong. The start of season three, debuting tonight, Mar. 28th, 2011 on Showtime, hints at a broader program with a deeper ensemble, but I’m not sure any more that this is a good thing.

Blu-Ray Review: ‘It’s Kind of a Funny Story’ is Kind of a Good Movie

It's Kind of a Funny Story

CHICAGO – I’m conflicted about Ryan Fleck & Anna Boden’s “It’s Kind of a Funny Story,” a good movie that I think a lot of people wanted to be great. After Fleck & Boden’s spectacular one-two punch of “Half Nelson” and “Sugar,” I think we started to expect that they would hit a home run every time. So, this one’s just a single. It’s still a creative hit despite its flaws.

Film Review: ‘It’s Kind of a Funny Story’ Coasts on the Charm of its Cast

It's Kind of a Funny Story with Zach Galifianakis

CHICAGO – Though “It’s Kind of a Funny Story” is the third feature film from Ryan Fleck and Anna Boden, it’s the duo’s first picture that feels like it was made by first-time filmmakers. While their previous two features, “Half Nelson” and “Sugar,’ were entrenched in documentary realism and exuded the assurance and nuance of master filmmakers, this latest effort feels oddly programmed for mainstream consumption.

Interview: Directors Anna Boden, Ryan Fleck Tell ‘It’s Kind of a Funny Story’

It's Kind of a Funny Story

CHICAGO – Two of the most interesting young directors of their generation return this week with the dramedy “It’s Kind of a Funny Story,” Ryan Fleck & Anna Boden’s follow-up to the highly-acclaimed “Half Nelson” and “Sugar.” The film stars Keir Gilchrist (“The United States of Tara”), Zach Galifianakis (“The Hangover”) and Emma Roberts (“Valentine’s Day”) and opens on Friday, October 8th, 2010.

HollywoodChicago.com Hookup: 50 Chicago Passes to ‘It’s Kind of a Funny Story’ With Zach Galifianakis

CHICAGO – In our latest comedy/drama edition of HollywoodChicago.com Hookup: Film, we have 50 admit-two passes up for grabs to the advance Chicago screening of the new film “It’s Kind of a Funny Story” with Zach Galifianakis and Jim Gaffigan!

TV Review: Toni Collette Continues to Shine on ‘United States of Tara’

United States of Tara S2

CHICAGO – I personally think the show is slightly inferior to its hour-partner “Nurse Jackie,” but Toni Collette does such spectacular work on “United States of Tara” that her performance alone demands you tune in. Like Edie Falco on “NJ,” the incredibly talented Collette takes a challenging role that could have turned into caricature in the hands of a lesser actress and makes it genuine.

Toni Collette Shines on Intriguing ‘United States of Tara’

United States of Tara
HollywoodChicago.com Television Rating: 3.5/5.0
Television Rating: 3.5/5.0

CHICAGO – Writer Diablo Cody, the Oscar-winning scribe of “Juno,” Executive Producer Steven Spielberg, and the Oscar-nominated actress Toni Collette have joined forces for the impressive and intriguing “United States of Tara,” airing this Sunday, January 18th on Showtime.

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  • Sherlock Holmes with David Arquette (teaser)

    CHICAGO – Different isn’t bad and might be great, but you’d better have an irrefutable reason to change what was never broken. Campy being the only word to accurately convey this alternate-reality version of Sherlock Holmes with an original script, writer Greg Kramer and director Andrew Shaver try too hard to be different without ever figuring out why.

  • Merry Widow, The

    CHICAGO – Standing up at the Lyric Opera house in Chicago is unusual before a show. But in this case, it was the night after a tragedy, and the operetta “The Merry Widow” – set in Paris, France, in 1905 – was about to unfold. The orchestra struck up La Marseillaise, a reminder that we’ll always have Paris.


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