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Kaya Scodelario

Film Review: ‘Maze Runner: The Death Cure’ Has Run Out of Life

CHICAGO – The third part of the “Maze Runner” trilogy is called “The Death Cure,” and that cure best describes the faint pulse of this run-out-of-steam dystopia aimed at “young adults.” It is mostly warring and not much more, except for a stab (literally) at misplaced emotion.

Film Review: Johnny Depp Stays Afloat in ‘Pirates of the Caribbean: Dead Men Tell No Tales’

CHICAGO – The “Pirates Of The Caribbean” series has undergone a strange transformation over five films. The first film was better than any movie “based on a theme park ride” then it had any business being. But now in its fifth film voyage, “Dead Men Tell No Tales” bears a closer resemblance to the ride now more that ever.

Film Review: ‘The Maze Runner’ a Cut Above Teenage Dystopia Genre

CHICAGO – Yes, the future world of teenage bleakness, so popular in “The Hunger Games” and “Divergent,” now has its own genre. “The Maze Runner” is an excellent entry, and gets over its stilted dialogue and scary monsters by adding in surprises and atmospheric mystery.

Interview: Young Actors Seek Their Reward in ‘The Maze Runner’

CHICAGO – What is wrong with our future? The Young Adult category of future fiction seems to think we’re all doomed, what with “The Hunger Games,” “Divergent” and now “The Maze Runner” film adaptations. The latest “Maze” take is pretty darn good, though, thanks to actors Dylan O’Brien, Kaya Scodelario and Will Poulter.

Film Review: Arnold Finds New Way to Capture ‘Wuthering Heights’

CHICAGO – Andrea Arnold continues to make the case that she’s one of the world’s most interesting filmmakers with the unexpected creative success of her adaptation of “Wuthering Heights,” a story that may not at first seem to fit in her narrative framework but proves to be a perfect choice for this multi-talented filmmaker.

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