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Karl Urban

HollywoodChicago.com Hookup: 15 Pairs of Guaranteed Anytime Passes to ‘The Loft’ With Karl Urban

CHICAGO – In the latest HollywoodChicago.com Hookup: Film, we have 15 pairs of guaranteed anytime movie tickets up for grabs to the new thrillerThe Loft” starring Karl Urban and James Marsden! Pick your own theatre and time throughout Chicagoland!

Film Review: Even Kids Might Run from ‘Walking with Dinosaurs 3D’

CHICAGO – “Walking with Dinosaurs” depicts the magnificent titular creatures in stunning realism and 3D vision, and then proceeds to give them line readings with the equivalent sophistication of Archie comics. This adds up to an educational film with a long, dull journey ahead.

Blu-ray Review: Frustrating Release For ‘Star Trek Into Darkness’

Star Trek Into Darkness

CHICAGO – When you’ve got a movie as controversial among its core audience as J.J. Abrams’ “Star Trek Into Darkness,” why would you court even more with a frustrating Blu-ray release pattern, one that essentially tries to milk the people who like the film for as much cash as conceivably possible?

HollywoodChicago.com Hookup: 25 Pairs of Passes to ‘Riddick’ with Vin Diesel, Karl Urban

CHICAGO – In the latest HollywoodChicago.com Hookup: Film with our unique social giveaway technology, we have 25 pairs of advance-screening movie passes up for grabs to the highly anticipated thriller with Vin Diesel reprising his role as “Riddick”!

Film Review: Visual Excess Dims ‘Star Trek Into Darkness’

CHICAGO – The anticipation of experiencing the rebooted crew of the starship Enterprise now may overwhelm any creative team’s ability to deliver to that anticipation. “Star Trek Into Darkness” piles on the space war excess, while lessening the savory humanity and memorable characters.

Film Review: ‘Star Trek Into Darkness’ Satisfies with Entertaining Adventure

CHICAGOJ.J. Abrams’ “Star Trek Into Darkness” is like a really solid mid-season episode of a great TV series. Entertaining, for sure, but lacking the energy of a premiere or the stakes of a finale. It leaves fans wondering what’s next in the franchise, which will surely make Paramount happy, but doesn’t stand on its own like the truly great part twos (“The Dark Knight,” “The Empire Strikes Back”).

Blu-Ray Review: ‘Priest’ Looks Great Even if There’s Nothing Below Surface


CHICAGO – “Priest,” recently released on Blu-ray and DVD, is one of those films which suffers greatly by comparison to the works that clearly inspired it. On the level of character and storytelling, this thing is a derivative mess. You’ll never once give a damn about anything that’s happening, especially when the action slows down and the paper-thin dialogue kicks in. On the other hand, the film is surprisingly stylish and has a visual aesthetic that’s greatly enhanced by Blu-ray. It looks great on the surface. Just don’t examine it too closely.

Film Review: Bless Us Father, For We Bear Witness to ‘Priest’

CHICAGO – The cure for the Recovering Catholic may be obtained in the new film “Priest.” Both symbolic and kick-ass, Priest has a parallel universe that includes the ubiquitous vampire, but with the bonus of their opponents being highly trained Catholic priests.

Film Review: Talented Ensemble Wasted on Incredibly Dull ‘Red’

CHICAGO – They say you can learn as much from a bad movie as you can from a good one. If that’s true, what’s the lesson to be taken from the extremely boring and misguided “Red”?

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  • Sherlock Holmes with David Arquette (teaser)

    CHICAGO – Different isn’t bad and might be great, but you’d better have an irrefutable reason to change what was never broken. Campy being the only word to accurately convey this alternate-reality version of Sherlock Holmes with an original script, writer Greg Kramer and director Andrew Shaver try too hard to be different without ever figuring out why.

  • Merry Widow, The

    CHICAGO – Standing up at the Lyric Opera house in Chicago is unusual before a show. But in this case, it was the night after a tragedy, and the operetta “The Merry Widow” – set in Paris, France, in 1905 – was about to unfold. The orchestra struck up La Marseillaise, a reminder that we’ll always have Paris.


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