CHICAGO – Lori Petty will never be predictable, nor put into some show business box. The free-wheelin’ Ms. P applies her expansive performance skills to the role of Lolly – a guest spot that turned into a recurring character – on Netflix’s hot series “Orange is the New Black,” which released its third season on June 12th, 2015.
CHICAGO – John Wells’ adaptation of Tracy Letts’ “August: Osage County” is a movie that fell off the radar in 2013 during the busiest time of the year. When we were all caught up in narratives of lone survival, or tales of how this country was morally eroded by financial excess, this loud ode to miserable family gatherings moved into theaters, scooped up a couple of Oscar nominations for its revered talent (Meryl Streep & Julia Roberts), and then vanished.
CHICAGO – There will be inevitable comparisons to the Pulitzer Prize winning stage version of “August: Osage County” from the thousands of people who have been touched by the stage play. But in giving the film version a chance, there is the same passion, drama and heat of family dysfunction within it, with a dream cast.
CHICAGO – Gathering an ensemble cast for a film version of a Pulitzer Prize winning stage play is a tricky assignment. Some of the actors selected for “August: Osage County” – play and screenplay by Tracy Letts – are a mix of veterans (Juliette Lewis, Margo Martindale) and relative newcomers (Julianne Nicholson).
CHICAGO – Highly anticipated! In the latest HollywoodChicago.com Hookup: Film with our unique social giveaway technology, we have 40 pairs of advance-screening passes up for grabs to the darkly searing “Tracy Letts” comedy “August: Osage County” starring Meryl Streep!
CHICAGO – It’s a weird week at the video store (do they still have those?) or in the New Releases section of your favorite Video On Demand service. There’s some real junk that we’ll get to (“The Internship”) along with some flicks that are just too good not to break out into their own special Blu-ray reviews (“Before Midnight,” “The Conjuring” — both must-sees). And then there’s a unique array of catalog releases and TV seasons. Those could easily fall through the cracks if not for the informative What to Watch. All of these are new to Blu-ray, some for the first time and some in anniversary/special editions. At least one will grab your attention.
CHICAGO – “Mirror Mirror” reimagines the tale of Snow White as one of dictatorial corruption and the little David taking down the big Goliath. It’s an interesting way to interpret the material and made more so by Tarsem Singh’s incredibly strong visual eye. Small problem — while he’s a visual master, he’s not a strong storyteller and “Mirror Mirror” needed a more capable narrative thread.
Blu-ray Review: Universal 100th Anniversary Titles ‘Erin Brockovich,’ ‘Smokey and the Bandit,’ ‘The Sting’Submitted by BrianTT on June 6, 2012 - 10:59am
CHICAGO – Universal has slowly but consistently been releasing an amazing collection of Blu-ray combo packs (BD, DVD, and Digital Copy) throughout 2012. Spanning the entire catalog of this 100-year-old company, movies like “To Kill a Mockingbird,” “The Deer Hunter,” and “All Quiet on the Western Front” have been given lavish, restored treatments and “E.T.” and “Jaws” will come later in the year. By the time it’s done, this will be one of the most important waves of Blu-ray releases in the history of the form. This week’s inclusions feature two Oscar winners and one true ’70s phenomenon.
CHICAGO – Since I know I’m the fairest of them all, I won’t focus on the symbolic impressions of ‘Mirror Mirror.’ This is the Snow White legend based on the original story by the Brothers Grimm, and includes Julia Roberts, Lily Collins, Armie Hammer and Nathan Lane in its cast.
CHICAGO – In the middle of an Oscar race where their film “The Artist” is favored to win the top prize, The Weinstein Company announced news about a future film today. Co-Chairmen Harvey and Bob Weinstein announced two big names that they have signed for one of their next films: Meryl Streep and Julia Roberts.
CHICAGO – “Larry Crowne” is a would-be crowd-pleaser that’s filled to the brim with chipper laughter. It’s the sort of laughter often heard on morning news programs, where overpaid anchors giggle and quip while laughing all the way to the bank. Yet very little of “Crowne’”s onscreen gaiety transfers to the bored, mildly annoyed audiences paying to sit through the self-congratulatory drivel.