CHICAGO – Cinemax’s ominous new series “The Knick” is a hospital drama that’s very much in the voice of its director, Steven Soderbergh. Set in New York City at the turn of the 20th century, the series presents the medical world as it inches closer and closer to modernity, while making contemporary parallels to the desperate hustle by surgery room clients and their doctors alike regarding treatment of the human body. What has changed in the politics of medicine? What hasn’t?
Joyce Van Patten
CHICAGO – Watching Philip Seymour Hoffman perform, now that he has passed on, is a bittersweet reminder of his ability and power to embody his deeply felt characters. He does it again in one of his last roles, adding his special brand of acting to the messy story within the gritty noir drama, “God’s Pocket.”
CHICAGO – Sean Penn picks his roles carefully, and famously said he didn’t know what the story meant in “Tree of Life.” His attachment to “This Must Be the Place” continues the vague journey through movieland, as he plays a bizarre and aging rock star whose life is about to get interesting.
CHICAGO – It may be called “Grown Ups,” but too much of the new Adam Sandler ensemble comedy feels like it was written by an eight-year-old boy. The believable friendship chemistry that Sandler has with co-stars Kevin James, Chris Rock, David Spade, and Rob Schneider significantly ups the entertainment value, but “Grown Ups” could have and should have been much better.