CHICAGO – The issue of gender identity, especially for those who are born with a vagueness as to what to call themselves between/beyond boy and girl, has come front and center in the U.S., both with the legalization of gay marriage and the callous repudiation of identity by trying to pass laws dismissing it (the North Carolina “bathroom” laws). The performance companies of The Living Canvas and Nothing Without a Company is currently staging “[Trans]formation,” which presents gender identity art by six performers, who perform most of the play in the nude.
Joyce Van Patten
CHICAGO – Watching Philip Seymour Hoffman perform, now that he has passed on, is a bittersweet reminder of his ability and power to embody his deeply felt characters. He does it again in one of his last roles, adding his special brand of acting to the messy story within the gritty noir drama, “God’s Pocket.”
CHICAGO – Sean Penn picks his roles carefully, and famously said he didn’t know what the story meant in “Tree of Life.” His attachment to “This Must Be the Place” continues the vague journey through movieland, as he plays a bizarre and aging rock star whose life is about to get interesting.
CHICAGO – It may be called “Grown Ups,” but too much of the new Adam Sandler ensemble comedy feels like it was written by an eight-year-old boy. The believable friendship chemistry that Sandler has with co-stars Kevin James, Chris Rock, David Spade, and Rob Schneider significantly ups the entertainment value, but “Grown Ups” could have and should have been much better.