CHICAGO – The issue of gender identity, especially for those who are born with a vagueness as to what to call themselves between/beyond boy and girl, has come front and center in the U.S., both with the legalization of gay marriage and the callous repudiation of identity by trying to pass laws dismissing it (the North Carolina “bathroom” laws). The performance companies of The Living Canvas and Nothing Without a Company is currently staging “[Trans]formation,” which presents gender identity art by six performers, who perform most of the play in the nude.
Disney’s marvelous “Frozen” fits snugly in the lineage of princess stories that the studio has been crafting for decades while also looks forward to empower girls in ways that its predecessors never considered. It is a remarkably fun movie, especially in 3D, alive in ways that so many of its peers in this lackluster year for animation simply are not.
CHICAGO – Finding identity, especially in the post-collegiate twentysomething time of life, is often fraught with accidental circumstance and heartache. The new film “C.O.G.,” adapted from a short essay from author David Sedaris, is a beautifully sensitive comedy about that rocky identity road, portrayed through a youthful and somewhat clueless preppy from Yale.
CHICAGO – The Golden Globe Award-winning “Boss” returns tonight for a second season of riveting drama based on our favorite city’s foundation of dirty politics. I thought the first season was strong but drifted a bit at times, lacking the focus of truly great drama.
CHICAGO – Created by Conan O’Brien and Jonathan Groff, NBC’s “Andy Barker, P.I.” was barely given even the slightest chance to develop a following when it debuted a few years ago. Andy Richter had the worst luck as a sitcom lead, failing to find an audience for the brilliant-but-canceled “Andy Richter Controls the Universe” and then getting the axe again after only six episodes of the promising “Andy Barker, P.I.”. No wonder he returned to the loving embrace of Conan O’Brien when he went to “The Tonight Show”.
CHICAGO – More about the vibe surrounding the three days of peace and love that would become the most influential festival in history than the actual music itself, Ang Lee’s “Taking Woodstock” is a frustrating drama with individual elements that work but a cinematic set list that is ultimately disjointed and unsatisfying.
CHICAGO – In our latest trippy edition of HollywoodChicago.com Hookup: Film, we have 50 admit-two passes up for grabs to the highly anticipated Chicago screening of “Taking Woodstock” from Oscar-winning director Ang Lee (“Brokeback Mountain” and “Sense and Sensibility”).