Johnny Depp

Film Review: ‘Fantastic Beasts: The Crimes of Grindelwald’ Goes Deeper into Harry Potter World

CHICAGO – “Fantastic Beasts: The Crimes of Grindelwald” is like the “Joey” of film franchises, a spinoff which only exists because of its tangential connections to a better (and more beloved) property. But since this is our only current filmed connection to the “wizarding world of Harry Potter,” it’ll have to do.

Film Review: Mustache Has More Than ‘Murder on the Orient Express’

CHICAGO – “Murder On The Orient Express” is a movie that is never quite as interesting as the main character’s mustache. Kenneth Branagh directs and stars as Agatha Christie’s most famous detective, Hercule Poirot. While it is a departure from the source novel, Branagh sports silver streak facial hair of audacious eccentricity.

Film Review: Johnny Depp Stays Afloat in ‘Pirates of the Caribbean: Dead Men Tell No Tales’

CHICAGO – The “Pirates Of The Caribbean” series has undergone a strange transformation over five films. The first film was better than any movie “based on a theme park ride” then it had any business being. But now in its fifth film voyage, “Dead Men Tell No Tales” bears a closer resemblance to the ride now more that ever.

Film Review: Johnny Depp is Ghoulish in Mob Saga ‘Black Mass’

CHICAGO – “Black Mass” is a well crafted, if somewhat conventional crime tale. It won’t win any awards, but it’s entertaining enough. The story of real life Boston crime boss “Whitey” Bulger has no shortage of juicy details, and while the saga of this mob boss slash FBI turncoat falls short of greatness, Johnny Depp turns him into an otherworldly presence.

Film Review: Supremely Silly ‘Mortdecai’ is a Pleasant Surprise

CHICAGO – I have to say while watching Johnny Depp in “Mortdecai,” I found myself amused. I rarely elicited anything more than a slight chuckle, but its indomitable spirit of silliness made it a not entirely unpleasant evening out.

Film Review: Four Fairy Tales Charmingly Unite in Hollywood, Broadway Merger of ‘Into the Woods’

CHICAGO – Neither Hollywood nor purely Broadway, Disney’s big-screen adaptation of the Stephen Sondheim musical “Into the Woods” finds a charming home on Hollyway.

Film Review: Don’t Say That You Love Me in Kevin Smith’s ‘Tusk’

Tusk

CHICAGO – The headline is a quote (“Don’t say that you love me!”) from Fleetwood Mac’s song “Tusk,” which Kevin Smith gratefully includes in his film of the same name. The movie is either the most outrageous audacity of the year or a blatant middle finger from Smith to the audience. You decide.

Blu-ray Review: The Internet is For Real in Goofy ‘Transcendence’

Transcendence

CHICAGO – The Internet is for real in “Transcendence”, a B-movie with grade-A production quality, loaded with terabyte-size open-ended questions, so long as one can accept it lastly with a scientific mindset. It is a film that perceives technology to be more expansive than a box of wires and computer chips, and actualizes the expanse of the internet as limitless to the realm of spiritual.

Film Review: Artist Ralph Steadman Profiled in ‘For No Good Reason’

For No Good Reason

CHICAGO – In the deluge of images that pierce our cerebral cortex on a daily basis, it’s refreshing to go back to the days when images had more influence, sought through publications or word of mouth. Artist Ralph Steadman was a mover and shaker – along with his writing partner Hunter S. Thompson – in the age-old notion that the pen can be mightier than the sword.

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