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Johnny Depp

Film Review: Johnny Depp is Ghoulish in Mob Saga ‘Black Mass’

CHICAGO – “Black Mass” is a well crafted, if somewhat conventional crime tale. It won’t win any awards, but it’s entertaining enough. The story of real life Boston crime boss “Whitey” Bulger has no shortage of juicy details, and while the saga of this mob boss slash FBI turncoat falls short of greatness, Johnny Depp turns him into an otherworldly presence.

Film Review: Supremely Silly ‘Mortdecai’ is a Pleasant Surprise

CHICAGO – I have to say while watching Johnny Depp in “Mortdecai,” I found myself amused. I rarely elicited anything more than a slight chuckle, but its indomitable spirit of silliness made it a not entirely unpleasant evening out.

Film Review: Don’t Say That You Love Me in Kevin Smith’s ‘Tusk’


CHICAGO – The headline is a quote (“Don’t say that you love me!”) from Fleetwood Mac’s song “Tusk,” which Kevin Smith gratefully includes in his film of the same name. The movie is either the most outrageous audacity of the year or a blatant middle finger from Smith to the audience. You decide.

Blu-ray Review: The Internet is For Real in Goofy ‘Transcendence’


CHICAGO – The Internet is for real in “Transcendence”, a B-movie with grade-A production quality, loaded with terabyte-size open-ended questions, so long as one can accept it lastly with a scientific mindset. It is a film that perceives technology to be more expansive than a box of wires and computer chips, and actualizes the expanse of the internet as limitless to the realm of spiritual.

Film Review: Artist Ralph Steadman Profiled in ‘For No Good Reason’

For No Good Reason

CHICAGO – In the deluge of images that pierce our cerebral cortex on a daily basis, it’s refreshing to go back to the days when images had more influence, sought through publications or word of mouth. Artist Ralph Steadman was a mover and shaker – along with his writing partner Hunter S. Thompson – in the age-old notion that the pen can be mightier than the sword.

Interview: Filmmakers Charlie & Lucy Paul on ‘For No Good Reason’

CHICAGO – You may not know the name Ralph Steadman, but you most certainly have run into his cartoon art. The surrealist was a partner with Hunter S. Thompson, illustrating books like “Fear and Loathing in Las Vegas,” and is a subject of a new documentary entitled “For No Good Reason,” directed by Charlie Paul.

Film Review: Meditative ‘Transcendence’ Also Artificially Intelligent

CHICAGO – The Internet is for real in “Transcendence”, a B-movie with grade-A production quality, loaded with terabyte-size open-ended questions, so long as one can accept it lastly with a scientific mindset.

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  • Merry Widow, The

    CHICAGO – Standing up at the Lyric Opera house in Chicago is unusual before a show. But in this case, it was the night after a tragedy, and the operetta “The Merry Widow” – set in Paris, France, in 1905 – was about to unfold. The orchestra struck up La Marseillaise, a reminder that we’ll always have Paris.

  • Black White Love Play

    CHICAGO – The love story of a prominent Chicago celebrity couple becomes the basis for a metaphoric and tuneful celebration about courage and coming together. “The Black White Love Play: The Story of Chaz & Roger Ebert” – written and directed by Black Ensemble Theater’s Jackie Taylor – portrays the film critic and the civil rights lawyer in their time, but also creates an atmosphere of emotion through song, sorrow and jubilation.


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