CHICAGO – Put in a dash of crazy, add a dash of funny and you are defining “The Asylum,” a catch-all name for a couple of show events in Chicago, playing at The Apollo Theater Studio through February 23rd, 2017. Behind the scenes of these showcases is producer Michael Sanow, a Chicago theater veteran. For “The Asylum” information regarding the “Atypical Musical Comedy Show” (Tuesdays) and “Access Comedy” (Thursdays), click here.
CHICAGO – It ain’t over until the fat mammoth sings, and that’s precisely what happens—more or less—in “Ice Age: Continental Drift,” the fourth installment of Blue Sky Studios’ increasingly tedious, decade-old franchise. Why can’t any of Pixar’s rival animation studios come up with a marketable formula better than Celebrities Voicing Animals Delivering Tired Sitcom Dialogue?
CHICAGO – From Toulouse-Lautrec in “Moulin Rouge” and Luigi in “Super Mario Bros.” to Sid in “Ice Age” and Chi-Chi in “To Wong Foo Thanks for Everything, Julie Newmar,” John Leguizamo has made a career out of playing a wide array of colorful and challenging roles. In 2010, the actor made a celebrated return to the stage and tackled his trickiest role to date: himself.
CHICAGO – The families who get suckered into the truly horrendous “Ice Age: Continental Drift” should be angry. Not only does it fail when compared to the best animation of the year (“Madagascar 3: Europe’s Most Wanted,” “The Pirates! A Band of Misfits,” “The Secret World of Arrietty,” “Brave”) but it’s less entertaining than most children’s television.
CHICAGO – Just under five years ago, Katherine Heigl became a decently known actress in the film world for her role as Alison in the Judd Apatow film “Knocked Up.” After having been in the show “Grey’s Anatomy” for a few years, Heigl had finally broke into the world of cinema, and seemed to have a decent amount of comedy acting skills.
CHICAGO – Horror writers and directors have been afraid of the dark since the start of the genre. Sadly, that fear of blackness has never translated to film as successfully as one would hope. There’s an inherent problem in watching a movie about darkness in that it can never make that fear fully real unless it goes to complete black screen. The latest entry in this flawed subgenre is Brad Anderson’s “Vanishing on 7th Street,” a minor work from a major director.
CHICAGO – Proving yet again that he can deliver when he avoids horrendous romantic comedy cliches, Matthew McConaughey does his best work in years in “The Lincoln Lawyer,” but the film doesn’t quite come together like one wishes that it would due to the common traps that befall big screen adaptations of best-selling thrillers.
HollywoodChicago.com Hookup: 35 Pairs of Chicago Passes to Matthew McConaughey’s ‘The Lincoln Lawyer’Submitted by HollywoodChicago.com on March 10, 2011 - 9:23pm
CHICAGO – In our latest drama edition of HollywoodChicago.com Hookup: Film, we have 35 admit-two passes up for grabs to the advance Chicago screening of the new film “The Lincoln Lawyer”!
CHICAGO – Baz Luhrmann has made two great films and one masterpiece in “Strictly Ballroom,” “William Shakespeare’s Romeo + Juliet,” and “Moulin Rouge!” and the latter two are finally available on Blu-ray, the format for which they were made. In the only way we should expect from a perfectionist like Luhrmann, both films have been lovingly remastered in HD and accompanied by excellent special features. They’re a pair of great HD releases.
CHICAGO – When did “gentleness” first become “unhip” in children’s films? Practically every studio in America, with the exception of Pixar, feels the need to make their “all ages” entertainment as abrasive, dumb and crude as their escapism targeted at teens and simple-minded adults.
CHICAGO – Many editions of the DVD Round-Up have featured a different genre and focus for each title within it. This week seems a little more thematically linked as we have a trio of foreign horror films and a few more independent films than usual. Of course, there has to a holiday comedy to spice things up.