CHICAGO – The issue of gender identity, especially for those who are born with a vagueness as to what to call themselves between/beyond boy and girl, has come front and center in the U.S., both with the legalization of gay marriage and the callous repudiation of identity by trying to pass laws dismissing it (the North Carolina “bathroom” laws). The performance companies of The Living Canvas and Nothing Without a Company is currently staging “[Trans]formation,” which presents gender identity art by six performers, who perform most of the play in the nude.
CHICAGO – In record-breaking time, even for Marvel, a comic book character has had their existence (basically) rebooted. The arc may be continued from the previous film, and some of the actors may reappear, but this take on Captain America is bonafide divergent.
CHICAGO – Twenty years before helming “Captain America,” director Joe Johnston made another superhero picture that was equal parts nostalgic and bombastically patriotic. Though 1991’s “The Rocketeer” was distributed by Walt Disney Pictures, the material is so dark that it’s worthy of Touchstone. As a throwback to Saturday morning serials and classic Hollywood archetypes, the film is likably breezy and instantly disposable.
CHICAGO – Even the name makes it sound like a prequel. There are definitely elements of Joe Johnston’s “Captain America: The First Avenger” that work and the film is certainly worth a rental and certainly better than “Green Lantern” (although nowhere near the entertainment value of “X-Men: First Class”) but I can’t shake the feeling that this blockbuster won’t stand the test of time on its own. It’s an introduction to next year’s “The Avengers,” a way to get the character into the modern Marvel vernacular, that gets less interesting as it goes along. It is very likely that both Joss Whedon’s film and the inevitable sequel to this one will be superior pieces of entertainment but this “First” chapter is a bit of a disappointment.
CHICAGO – Universal’s three-disc set for the incredibly-influential “Jurassic Park Ultimate Trilogy” is one of the best multi-film sets of the season, a glorious combination of stellar HD transfers, incredible audio tracks, amazing new & old special features, and films that have held up remarkably well over the years. “Jurassic Park” gets nowhere near the credit it deserves either as pure entertainment or as a film that would massively influence works to come. Hopefully, this set will go some way to correct those mistakes and introduce the films to a new generation.
Film Review: Despite Disastrous Skinny Steve, ‘Captain America: The First Avenger’ is Perfectly ImperfectSubmitted by HollywoodChicago.com on July 23, 2011 - 1:10am
CHICAGO – With mammoth special effects budgets carelessly puked into blockbuster films these days without story or heart, it’s effortless to wow audiences with beguiling explosions and one or two trademark, “The Matrix”-like innovations.
HollywoodChicago.com Hookup: 22 Pairs of Chicagoland Passes to ‘Captain America: The First Avenger,’ 3D Glasses, Food, DrinksSubmitted by HollywoodChicago.com on July 14, 2011 - 12:10pm
CHICAGO – In our latest blockbuster edition of HollywoodChicago.com Hookup: Film, we have 22 admit-two passes up for grabs to the advance Chicagoland screening of the highly anticipated film “Captain America: The First Avenger”!
CHICAGO – A great Blu-ray can come from the most unexpected places. Who would have guessed that the relatively disappointing “The Wolfman” with Benicio Del Toro, Emily Blunt, and Anthony Hopkins would result in one of the best Blu-ray releases of the year to date? With a superior version of the film, perfect HD, and amazing special features, this is a spectacular release.
CHICAGO – Joe Johnston’s “The Wolfman” nearly works. The Benicio Del Toro vehicle has a strong supporting cast, a few striking visual compositions, and at least one must-see sequence, but it misses the mark as a complete film, never quite as compelling or entertaining as it could or should have been.