Looming over “Bad Words” is the potential it could have had, as is, were it released ten years ago. With its focus of R-rated behavior poking at the projected innocence of children, along with the couple of chromosomes that keep Bateman’s Trilby from being a Vince Vaughn character, this movie is certainly a product of the comedies that have sculpted out the manchild story in the past decade.
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CHICAGO – More vulgar, violent, and generally vile than the first film, “Kick-Ass 2” is one of those incredibly annoying films that actually will mar the legacy of its predecessor by association. Writer/director Jeff Wadlow entirely misplaces the priorities of the first film, thinking that the sequel needs to be more extreme, even if that’s at the expense of style and intelligence.
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CHICAGO – One of the grand entertainment events every summer in the Windy City is the Wizard World Chicago Comic Con. TV, movie and comic book celebrities populate the event – including last year’s attendees Lauren Holly (“Dumb and Dumber”) and Joey Lawrence (“Blossom”).
CHICAGO – Some comedies improve when they climb down off the big screen and take up residence on the small one. Perhaps it’s just that we’re more forgiving at home then we are when we’re paying a fortune for tickets, parking, and popcorn. Or we’re just more accustomed to bad comedy writing on TV. However, “The Incredible Burt Wonderstone,” one of the more notable box office flops of 2013 so far (it couldn’t crack $23 million TOTAL) is not one of those better-at-home comedies. It’s still a stunniningly flat, boring piece of work and the scant special features do nothing to improve it.
LOS ANGELES – Jonathan Winters, one of the most influential comedians of the past two generations, has died of natural causes on April 11th at his home in Montecito, California. His characteristic schizophrenic comic style inspired modern funnymen like Robin Williams, George Carlin and Jim Carrey. He was 87 years old.
CHICAGO – It’s this simple – “The Incredible Burt Wonderstone” just isn’t funny. Sure, there are a few laughs here and there and some of the supporting cast works but the leads are woefully miscast and most of the jokes hit with all the awkward silence of a Bennigan’s tableside magician who guesses the wrong card.
CHICAGO – I have to admit that I went into my review of “Mr. Popper’s Penguins” expecting to feel torture not unlike when I suffered through “Yogi Bear” or “Gulliver’s Travels.” Live-action family entertainment has been the other side of the coin to the influx of quality animated entertainment. For every Pixar, there’s a “Chipwrecked.” For every “How to Train Your Dragon,” there’s a “Zookeeper.” To that end, I found “Mr. Popper’s Penguins” totally harmless, mostly because Jim Carrey gives it his all and brings enough manic glee to the proceedings to keep it from falling flat.
CHICAGO – It’s the movie poster that says it all. The familiar red-headed talk show host, now bearded, resting his head against an ever-present microphone. The show must go on for “Conan O’Brien Can’t Stop.”
CHICAGO – Pity the poor penguin making pictures. Their wings cannot fly, they have no script approval or agents, just a trainer bribing them with food to hit the mark. Their presence, their cuteness, even their flightlessness are exploited for a dreadful Jim Carrey film called “Mr Popper’s Penguins.” Somebody call PETA.